A Quote by Colin Firth

They're not bombarding me with offers, although the ones that have come along have been too preposterous to contemplate, so it's not as if I spend every day resisting $20 million pay cheques.
The videos that I post every day are averaging 7 million views per day. And I post one of those a day. I spend an average of $200 a day to make that. The Disney show that I'm on, they spend $2 million over the course of five days to create one episode that gets 1.7 million views.
And one thing I can be proud of is we have a 'Come and Try Fishing' day every year. And there's 20 venues throughout the state, and see, these thousands of kids who've never been fishing come along.
We have so many films that we can fit into the slate a year, and we spend $100 million on those films in order to make $400 million dollars. We don't spend $20 million in hopes of eking out $40 million.
Baseball does have some slack here. When they were losing $20 million a year in Montreal, there was some pressure to get rid of it. But as long as they are [profitable] in Washington, there is less pressure. They've got eight bona fide $450 million offers to buy the team, and those offers aren't going to go away soon.
The concept of productivity in America is income divided by labor. So if you're Goldman Sachs and you pay yourself $20 million a year in salary and bonuses, you're considered to have added $20 million to GDP, and that's enormously productive. So we're talking in a tautology. We're talking with circular reasoning here.
If you pay 50 million for something, you probably pay another 50 to 100 million to activate it. And the more you spend, the better you do. There is no point in just buying rights.
Every few seconds it changes - up an eighth, down an eighth - it's like playing a slot machine. I lose $20 million, I gain $20 million.
As the stars make more and more money - one person gets $12 million, $14 million, $15 million, $20 million - everyone else is expected to work for peanuts. And that includes some extraordinary actors who are, today, working for peanuts because the production companies have decided they don't need to pay these people, and they don't.
If I could have drawn a cat yelling for lasagna every day for 15 years and have them pay me $30 million to do so, I would have.
In times of pain, when the future is too terrifying to contemplate and the past too painful to remember, I have learned to pay attention to right now. The precise moment I was in was always the only safe place for me.
To write without pay until somebody offers pay. If nobody offers pay within three years, the candidate may look upon this circumstance with the most implicit confidence as the sign that sawing wood is what he was intended for.
I never saw 'Titanic' as a springboard for bigger films or bigger pay cheques. I knew it could have been that, but I knew it would have destroyed me.
I've been drawing since I was a little kid, but it's not something I love to do every day. If there's one thing I love to do every day, it'd probably be acting. I can act every day. I'd happily do it, you don't have to pay me. But that's one thing I'd love to do and get paid for.
Obama took 20 million people from the category of ignorables and put them into the category of unignorables. No one had to do anything for these 20 million people because they were outside the system. Now they're inside the system. Taking away their health care imposes all kind of political pain. We don't know the outcome, but every passing day it show how difficult it is for Trump to deprive them of what they now have.
I've always looked towards mainstream. Many offers have come but they've been the wrong kind of offers. They are not the right business decisions for me to take.
The day you spend hoping, the day you spend waiting, the day you spend in despair, is a day in your life as much as the tomorrow you hope for, but which may never come, so betting today on tomorrow is always a bad bet.
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