A Quote by Colin Firth

I backpacked through France and Italy in my teens, and then I was at Cannes with the first movie I did in '84. — © Colin Firth
I backpacked through France and Italy in my teens, and then I was at Cannes with the first movie I did in '84.
I just went off for two months traveling around Europe on a motorcycle and pretty much turned my phone off. I did 5,000 miles with my dad. We went through Holland, Germany, Austria, Slovenia, Croatia, Bosnia, Montenegro, Italy... and then I did Spain and France by myself.
When I was 19 and at drama school, a couple of friends and I decided to drive from Guildford through France, down to the heel of Italy and then take a ferry to Greece - in an MG Midget. On our second day, in France, we were in a very bad accident and wrote off the car so we had to go home. But we then flew out instead and went island hopping.
I met my wife and, for the next ten years, we did no films at all. She did the first movie and then I did several after. My first movie was written by Tennessee Williams and directed by Kazan and was called Baby Doll.
I met my wife and, for the next ten years, we did no films at all. She did the first movie and then I did several after. My first movie was written by Tennessee Williams and directed by [Elia] Kazan and was called Baby Doll.
I've backpacked to countries like Italy and Turkey and observed beautiful scenery, but then I realized that beauty was always very close to me. It is here in Belitung Island, where the rivers, beaches and the terrain captivate my attention most.
I was asked to go to Cannes to present Amores Perros. And little did I know that this film would be huge. I saw it for the first time in Cannes, and it was the first time I'd seen myself on such a big screen. And it had a huge impact on me - it was the strangest feeling.
Italy to me is like the mean mother. Whatever I do, it's never good enough. People say I'm the queen of Cannes, but in Italy I get turned down for work.
I was born in New York, then I went to the UK, then I went to Brazil, then I went to France, then I studied in Italy. My life was always about being confronted with an environment where you had to adapt.
France is a country you have to drive through to get to Italy. That's all it's there for.
When you go to Cannes, people are there to fight, to scream - like football, the World Cup. Once I was working on a movie, and then when I went to Cannes, I went there to whistle at all the other movies in competition. You go to help your friends and fight with your friends' enemies.
The world is in America. In Italy is only Italy. France is full of France. Germany is full of Germany. In a continent that contains the entire world, contradictions are, of course, constantly arising.
It's not my job. The Weinstein company, it's their job to convince people. My job was to make the movie. That's what I did. I know what we did in France was to have the maximum screenings just to let people talk about the movie and say they enjoyed the movie.
For many years I enjoyed the pleasure of cruising on my yacht all summer long and these were my best holidays. In mid-May, we'd start in St Tropez. I'd collect my bikinis from my home there and then we'd go up to Cannes for the Film Festival, on to Monte Carlo for the Grand Prix and then to Italy.
My first flight was to Majorca as a 17-year-old and I went to Seattle to visit a friend after that. But the first time I really ventured out abroad to Canada and Japan as well as to Europe, to France, Spain, Italy, Germany and the Netherlands, was to promote my first album.
When Elvira, Mistress Of The Dark came out, I got to go to Japan and Australia and France, Italy, Germany, everywhere with the movie. That was great, because I love traveling.
Prices in Italy are only slightly lower than in France, which means that Italy is a very expensive country for everyone, natives, visitors and tourists.
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