A Quote by Colin Greenwood

It would be really nice to be able to put out releases that wouldn't be conditional upon an album format, and just put out music in different ways. — © Colin Greenwood
It would be really nice to be able to put out releases that wouldn't be conditional upon an album format, and just put out music in different ways.
We did so much music together, before he got locked up, it's just, Gucci, he don't hold on to music. He like, Man, let's put this out, let's put that out, let's put this out. That's what he do. He like to put out a lot of music.
Albums are just a punctuation of music. I don't usually start out with a manifesto. Your tastes change with the process of the album. I just make music and put it out when there's enough to call it an album.
If I could never put out an album in my life, I could just put out mixtapes. The music got to be out there somehow.
I just put out a hardcore double album. Next I'm gonna put out an introspective album.
Before MTV, if you put out an album that sold 50,000 copies, your band could afford not to have day jobs for a while. That meant you could stick around, put out another album or two. Maybe it would be the second or third album where you'd make the statement you'd been trying to make all along.
There were a lot of songs that I still wanted to put on the album but it worked out. I can only fit 18 [tracks] on the album, I would put 30 if I could.
I feel blessed to even be able to put out an English album. Not too many Latin artists get the opportunity to come out and record another genre that's so different to Bachata.
So it was out of necessity that Blackheart was born. I think it's great that now, 25 years later, we're not only putting out our own music, but are able to put out music by other bands. That's really exciting for us.
I've always dreamed of having an album. The problem is that it's just very difficult to make an album nowadays because through technology, music shifts so fast, especially electronic music. Once you make five songs, the first one you did is already old and you wished you would have put it out right away. So that's kind of the difficult part.
It doesn't make sense for me to try to be, like, a dance dude who only releases two 12-inches a year and then plays every weekend. Making an album, you get to put out a body of work that shows a lot of different sides of you. And you get to work on it for an intense period of time and promote that album. And then you get to move on.
I remember we were out on the road when the album finally came out in February 1973. I listened to it in my hotel room and just got this really big smile. I was thinking, 'It's amazing, we're really pulling this off'. The album was very, very unique and very, very different. I was really proud of the songs, especially 'No More Mr Nice Guy', 'Billion Dollar Babies' and 'Generation Landslide'.
It's just nice to work hard and be rewarded, which is having lots of people watch. And the icing on the cake is for me is to be able to walk around with pride, feeling that the product you put out is worthy of being watched. But honestly, it's not a big deal. I don't put too much stock in fame or celebrity anyway. I don't put it in the 'important' box.
Our music is constantly evolving and changing, and when this band put out an album we always try to offer something different.
In my opinion, I would still like to go into a studio - because I love the environment of being in a studio - and record a great album beginning to end, but then maybe not release it as an album. Maybe put singles out there, put songs out there - either give some away or release some the traditional way.
I told myself I'd do well by using the experience I gained during my seven years as Big Bang. In my mind, the executive producer is the person that is in charge of everything up to the point that the album comes out. So not just the music but also the music video, album artwork, photographs, and even the material the album itself would be made out of.
When I finally stopped [singing], he had been saying, like, the last day or so, he'd been saying, now, I think we should put this one in the album. So without him saying I want to record you and release an album, he kept - he started saying, let's put this one in the album. So the album, this big question, you know, began to take form, take shape. And Rick [Rubin] and I would weed out the songs.
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