A Quote by Colin Greenwood
You should approach a sequencer like you would a Dobro guitar.
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I Still Approach A Scene As One Would Approach A Guitar Solo. You Don't Exactly Know How You're Going To Phrase This Or That. Which I Think Is Beautiful. That Idea Of Chance.
If you have a great-sounding guitar that's a quality instrument and a good amp, and you know how to make the guitar talk, that's the key. It starts with the guitar and knowing what it should sound and feel like.
You can approach the guitar like a voice. That's the best way of looking at it. If you are singing, you can't keep going a million miles an hour. You can only fit so many syllables in, so think about what you can sing through your guitar. Players like David Gilmour and Neal Schon are great at that kind of thing.
I played guitar all my life, all the way through the Yardbirds, but I knew that for me, this was going to be a guitar vehicle, because that's what I wanted it to be. There is no way I would play guitar like a tour de force like I did in Led Zeppelin.
My first guitar was like a campfire guitar. And it was left at a house that my family had moved into... and the guitar was at the house. It was all strung up. It's normally something that would be beyond a bit of rubbish.
The music is just like Detroit, a complete mistake. It's like George Clinton and Kraftwerk are stuck in an elevator with only a sequencer to keep them company.
I approach playing acoustic guitar more of as a percussive instrument. It's fragile. I don't have a lot of finesse when it comes to my guitar playing.
In my own musical existence I don't feel that being a guitar player is like the best thing on earth to be. I would rather be a balanced musician. Playing in a group, I'm tending to think more about the music and less about the guitar. That's just me getting older. I'm not interested in being a virtuoso guitar player or anything like that.
I noticed a lot of guitar players neglected the rhythm part of rhythm guitar and decided I would try to focus in that. As my skill and knowledge of the instrument grew, I found lead started to come naturally. Sometimes I play guitar like a frustrated drummer. Ha ha!
Well, to tell you the straight honest truth, it was like a Grateful Dead cover band. I didn't feel - and nothing against the guys - I didn't feel that they were opening up like they should. I'll tell you what, with guitar players, Steven has what I like in guitar players.
I actually had a really nice guitar as a teenager. I took jazz guitar, so my mom bought me this probably $1,600 guitar. But I got really into garage rock and local bands, and I noticed they played really crappy guitars. So I thought, 'Hey, I should get a crappy guitar, too!'
One time I said: maybe I should burn a guitar tonight. You know smash a guitar or something like that. And they said: yeah, yeah! I said: you really think I should? They said: yeah, that'd be cool. I said: well, ok.
I may be taking a different approach, being a guy leading a band with a trombone, but if you take that out of it and put in a guitar or keyboard, it would be considered funk-rock music.
We should always keep an open mind about any new phenomenon in nature. To merely say that's impossible, therefore it doesn't exist, is to commit a serious error. A much better approach would be to say That's quite unlikely, but show me the evidence you have that says that it may be so. It would be the height of arrogance to think that man knows everything possible about the Universe or the Earth. There are many things yet to be discovered, and that is why we have scientific research (or any kind of research). That should be the rationalist's approach to parapsychology and the occult.
Josh Graves laid down the dobro on that song [The White Trash Song] and he was hot. We went on the road together and we'd get drunker'n hell every night! I haven't had a drink since November, 1979. And I like it.
I had a guitar when I was 6 or 7, a plastic guitar with the Beatles' faces on it. It would be a collector's item now. It would fetch a hefty sum, I imagine.
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