A Quote by Colin Hay

It's frustrating to do albums that you think are worth listening to, but it's just so difficult to cut through. — © Colin Hay
It's frustrating to do albums that you think are worth listening to, but it's just so difficult to cut through.
There were times when I was just listening to albums for the hype of it. Some albums, I would just put it on in my car, and me and my friends would just drive, that we'd wild out to, get arrested to.
I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.
When I've had to edit my albums, I'll listen to it one time through, and I'll make edits. I want to remember to set up a camera to record myself listening to my set, because I don't even slightly crack a smile, I am just listening for technical details, and I look like somebody that has absolutely no sense of humor. I look insane.
It's difficult losing, but it's even more difficult when you didn't make a shot. I could see the ball just didn't go your way on an out-of-bounds play or something like that, but when you're just not making them, it's frustrating.
There are times through the process that you just think, "Is this all worth it?" It's very, very difficult to get a movie made, and it's very difficult to get a movie made that turns out well, and that fans love, and that the marketing gets right.
I could come home, and I would spend the rest of the night just lying on the floor or the sofa listening to albums. It was like a movie to me. I still do, really, and doing the radio show ensures that I'll be sitting there listening.
It was frustrating that young people, through no fault of their own, were listening to terrible $2 ear buds. You can't get good sound out of those.
I think you can really gauge my state of mind by listening to my albums.
We're charging what we're worth and we don't think we're worth $22.50. We take a lower cut than Pearl Jam.
One of the first albums that I remember, rap albums I remember really listening to, was LL Cool J 'Mama Said Knock You Out.'
You don't cast the animal, per se. You have an animal trainer who looks for several of them. That is a different experience than dealing with actors. That is just difficult. It is what you expect from an animal on the set. You just run a lot of film and prompt it to do the right thing, but sit through it doing all the wrong things first. It's just unbelievably boring, frustrating and painstaking to shoot.
I think the most frustrating thing is when people... sometimes people are a bit lazy and they don't listen to something, and they'll just say you sound like something else and it's quite clear that you don't, I think that's frustrating.
There is something about live albums that I enjoy so much more than studio albums from all of my favorite artists. When I am listening to them live, I get to connect so much more to their truth than in studio albums.
Effective listening is something that can absolutely be learned and mastered. Even if you find attentive listening difficult and, in certain situations, boring or unpleasant, that doesn't mean you can't do it. You just have to know what to work on.
They had to cut me open through my armpit and cut through whatever they had to cut through and get my rib out.
The great thing about albums is it gives you a lot of choices, and we can all say that the album business is dead, but watch Taylor Swift. I don't think it's dead. I just think we've got to hit on the energies that make people want to collect albums.
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