A Quote by Colin Jost
I always tell people, when they ask me what to do to be a writer or to be a performer, the key is to go to a place where there are a lot of other people who are trying to do the same thing as you and taking it very seriously.
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People ask me, 'What do you do?' And I tell them I'm a writer, but always with the silent reservation, 'I am, of course, not really a writer. Hemingway was a writer.'
The funny thing is, when I ask people with dark skin if they would change their color, they tell me no, and when I ask women if they would rather be men, they tell me no, and I get the same response when I ask people with unusual anatomies if they would take a magic pill to erase their unusual features.
There’s a writer for you,” he said. “Knows everything and at the same time he knows nothing.” [narrator]It was my first inkling that he was a writer. And while I like writers—because if you ask a writer anything you usually get an answer—still it belittled him in my eyes. Writers aren’t people exactly. Or, if they’re any good, they’re a whole lot of people trying so hard to be one person. It’s like actors, who try so pathetically not to look in mirrors. Who lean backward trying—only to see their faces in the reflecting chandeliers.
Other actors have come up and told me that I don't take my work seriously. How am I not taking it seriously? Ask the directors who I've worked with and they'll tell you how serious I am.
The key thing for a CEO to keep their head in the game is recognize that there's turbulent times, plan for, you know, bad luck as well as good luck, keep people focused on what the key, you know, business wins are, and you know, provide the energy that people always need in order to, you know, to go into battle because, you know, work is hard and go into work and do that well. And provide a good leadership beacon for that. In other words, it's the same thing that makes good leadership in any other time.
I can pretty much tell which way a meeting's gonna go in the first three or four minutes. Because if someone's not taking me seriously, I'm definitely not taking them seriously.
If people ask me, I always tell them: "Quite well, thank you, I'm very glad to say." If people ask me, I always answer, "Quite well, thank you, how are you today?" I always answer, I always tell them, If they ask me Politely... BUT SOMETIMES I wish That they wouldn't
Whenever I go out, so many people who respect me ask me what to do in a certain situation. A lot of times, I didn't know the answers because sometimes I was going through the same sort of thing. But then later on, I would think of things that people told me.
The thing that I've learned about taking risks is that the key question to ask is, "If this goes terribly, what will happen?" Usually, the answer is that the world won't come to a screeching halt. Usually you can go back. Maybe not to the exact same job, but usually to the same type of job.
A lot of people are trying to get me to go solo. It's just a thing I have to deal with a lot. Record labels are always trying to get me to go solo.
As a writer, as a lyricist, you're just trying to make sure that you're not repeating yourself. And that's a danger for a lot of people. So for me, I just try to keep taking corners and trying to find new paths.
Other people started taking me seriously before I took myself seriously.
The last thing I'm trying to do is trying to look to go out into a fight. Ask anybody who knows me, I'm not the first guy to go around and just start pushing people.
People ask me about staying here. I think they assume that I wouldn't want to come back to a place like Mississippi, which is so backward and which frustrates me a lot. The responsibility that I feel to tell these stories about the people and the place that I'm from is what pulls me back.
I always wanna be able to fight, I always wanna be able to go left when they tell me to go right, not because I'm being hard-headed, it's just me taking a creative stance. I have no problem with constructive criticism, but, at the same time, I have a problem with doin' the same thing that everybody's doin'. And that's the way I've found a way to survive in the music game.
We had the same doomsday people when we were building the MGM Grand, same people, same doomsday. You have to ask a lot of questions and listen to people, but eventually, you have to go by your own instincts.
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