A Quote by Colin Kaepernick

You're always going to be mad about a bad play. — © Colin Kaepernick
You're always going to be mad about a bad play.
When it was announced that Michael Keaton was going to be Batman, everyone was mad. When they announced that Val Kilmer was going to be Batman, everyone was mad. When it was announced that George Clooney was going to be Batman, everyone was mad. When it was announced that Christian Bale was going to be Batman, everyone was mad. And everyone was mad about Ben Affleck. So every single incarnation, people are going to be mad; you just can't do anything about it.
My mom always told me I should have a Plan B. I said that if I'm not going to play guitar I'm going to play drums. And if I'm not going to play drums, I'm going to play bass. I always just wanted to play music. I was completely obsessed.
All my life, people have asked me what I was so mad about. 'Why you so mad?' And I was never mad. I'm not mad, I just look mad.
I get very tense working, so I often have to get up and wander around the house. It is very bad on my stomach. I have to be mad to be working well anyway, and then I am mad about the way things are going on the page in addition. My ulcer flourishes and I have to chew lots of pills. When my work is going well, I am usually sort of sick.
There are times, especially on 'The Five,' where I've lost control for a moment. I always feel bad about it, but those always seem to be the times that people realize, if I'm mad about something, it must really matter.
People get mad at bad comedy. Way more mad than at bad novels.
I did a play once where a reviewer said, 'Martin Freeman's too nice to play a bad guy.' And I thought: 'Well, bad guys aren't always bad guys, you know?' When I see someone play the obvious villain, I know it's false.
I really like playing the bad guy. There are so many more objectives to play when you're mad or villainesque, or when there's some agenda that you have. That's drama, that's where the heart lives. I love playing the bad guy, but especially the bad guy who's still with the girl.
I'm sure I've all but lost friends by maintaining that, despite their love for it, I always saw Stanley Kramer's 'It's a Mad, Mad, Mad, Mad World' as more of an exercise in anti-comedy than humor.
I was clear: "I don't want to play businessmen with bifocal glasses and cameras, so if you're going to give me an Asian bad guy to play, then I'm going to give you the baddest Asian bad guy you've ever seen, and you're not going to forget that I was in the film."
If you're going to be mad, at least let the people know what you're mad about.
I'm never going to stop because I had a bad game. I'm never going to stop because somebody thinks that I can't do something. I'm going to always play the way I feel I should play, because I wouldn't have got to here if I felt like I couldn't.
There's all sorts of things I was always meaning to get around to - learning to play the flute, calculating the square root of nought, going mad - but I just didn't have the time.
I can't stay mad very long. I get grumpy when I read a bad review. I say, 'How could he say that about my music?' Then I forget about it. If I got mad every time somebody wrote something negative about me, I'd be exploding all the time. I'd be burned out just from reading reviews.
The conditions are always slightly better back in the U.K. There's a lot of distractions when you play away in China and it's very easy to get on a bad run out there, with various things going on when you play.
My label is to play bad guys of Latin origin in American movies. I'm happy with that label. I prefer to play that than to play a city boy. The bad guy is always something very tempting for the audience.
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