A Quote by Colin Kaepernick

I don't look at film that closely about my mechanics of where's my elbow at. — © Colin Kaepernick
I don't look at film that closely about my mechanics of where's my elbow at.
I find that male directors are more interested in what the film looks like as opposed to what the film is about emotionally. My job is not to make the film look pretty, and I don't feel drawn to making myself look pretty within the film.
I don't like the way the cage is set up. I think it's really dangerous that the metal comes up about three inches off the ground. People were putting their foot on it. I can see it. And I was worried about being taken down and landing backwards with my elbow. and damaging my elbow or even my head.
If I start paying attention to the mechanics of a film while watching it, then it's generally a bad film.
The more closely you look at one thing, the less closely can you see something else.
While many questions about quantum mechanics are still not fully resolved, there is no point in introducing needless mystification where in fact no problem exists. Yet a great deal of recent writing about quantum mechanics has done just that.
In my day, defenders played you with two hands and an elbow. You're not getting by a guy, especially if he has an elbow and a hand on you and is a strong defensive player.
If you look at it closely, 'Mankatha' is a politically incorrect film. It explores the darker side of the human mind, and I think, while watching it, people are, in a sense, redeeming themselves of their own guilt.
The ancients considered mechanics in a twofold respect: as rational, which proceeds accurately by demonstration, and practical. To practical mechanics all the manual arts belong, from which mechanics took its name.
I look forward to working closely with the Research Councils, Innovate UK, and Higher Education Funding Council for England (HEFCE), as we work together to create UKRI. I also look forward to working closely with all of our research and innovation communities to provide a strong and coherent voice for U.K. science and innovation.
How hard it is for people to live without someone to look down upon-really to look down upon. It is not just that they feel cheated out of someone to hate. It is that they are compelled to look more closely into themselves and what they don't like about themselves.
My dad taught me really early so I could take a lot of pressure off my elbow. Because the way I throw it, it doesn't crank up my elbow like everyone else's curveballs.
There is something fundamentally fascinating about the mechanics, I guess, of the human body and where consciousness and mind exist, and what you can do with the mechanics of the body while keeping those intact, and where those two cross over.
I think that's true of all cinema, that's why cinema is the great humanistic art form. Whatever the film is, it doesn't matter what the film is about, or even whether it's a narrative or figurative film at all, it's an invitation to step into somebody else's shoes. Even if it's the filmmaker's shoes filming a landscape, you go into somebody else's shoes and you look out of their lens, you look out of their eyes and their imagination. That's what going to the pictures is all about.
We [Elbow] have had some luck with media syncs in film and on TV. We'd love to do a soundtrack with a really cool director.
You know, you find that these stories ... will turn one of us into the good guy and one of us into the bad guy. If you look at it closely or even not that closely ... it's ridiculous.
When you think about the complexity of our natural world - plants using quantum mechanics for photosynthesis, for example - a smartphone begins to look like a pretty dumb object.
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