A Quote by Colin MacInnes

It was with the advent of the Laudie London era that I realized the whole teenage epic was tottering to doom. — © Colin MacInnes
It was with the advent of the Laudie London era that I realized the whole teenage epic was tottering to doom.
The emergence of cross-border coalitions and issues shows the advent of a whole new era in U.S.-Mexican and Mexico-California relations.
I am obsessed with the whole Victoriana thing, the whole Jack the Ripper London era, the grayness of it, the haunted feeling of it, all ancient and bloody.
It is better to be early than too late in recognizing the passing of one era, the waning of old investment favorites and the advent of a new era affording new opportunities for the investor.
Furthermore, I think there was, in fact, a celebration of Passover in the era of the Judges in which the epic was recited in the context of the central sanctuary. That tradition was displaced by the Feast of Enthronement beginning in the Solomonic era.
Doom very evenly! Do not doom one doom to the rich; another to the poor! Nor doom one doom to your friend; another to your foe!
I spent my whole teenage life trying to get to London and go to dance school, but when I got there, I couldn't wait to get to the clubs on weekends. I knew I wanted to make music.
I fell in love with London and one particular era in London.
I think it's really hard for teenage girls in London to just gently... have a life. Everything has to be organised for kids in London - you can't just walk three roads to see a friend.
I went through the whole number, you know. The swing era, the boogie woogie era, the bebop era. Thelonious Monk is still one of my favorites. So a lot of these people had their effect on me.
I wish for the advent of an era in which everybody makes and appreciates good music.
London fashion is epic.
Cinemascope has become synonymous with 'epic,' and absolutely if you're shooting armies and certain kinds of vast landscapes, you do want that panoramic canvas to work on. But if you look at art history there's not a whole lot of epic paintings that are in that aspect ratio.
I was every Londoner's stereotypical idea of a brash, vulgar American. When I got here, it turned out that London was the Wild West, and New York was like London at the height of the Victorian era, in which everyone was far more obsessed with table manners and status-climbing than they are in London. In London, everyone was just crawling over this blizzard of cocaine. Here, if you have more than a glass of wine with your meal, people refer you to Alcoholics Anonymous.
Claudia Rankine's Citizen comes at you like doom. It's the best note in the wrong song that is America. Its various realities-'mistaken' identity, social racism, the whole fabric of urban and suburban life-are almost too much to bear, but you bear them, because it's the truth. Citizen is Rankine's Spoon River Anthology, an epic as large and frightening and beautiful as the country and various emotional states that produced it.
I'm struggling with what is epic. People decided I was epic - if by epic, do you mean a big, heavy book? 'David Copperfield' is a big book - is it epic? Amount of time covered, length, drama, or story - that's the real appeal - if the story is long you have a better chance of becoming more connected.
Trends in circulation and advertising - the rise of the Internet, which has made the daily newspaper look slow and unresponsive; the advent of Craigslist, which is wiping out classified advertising-have created a palpable sense of doom.
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