A Quote by Colin Marston

The term "black metal" has become a lot looser, or can include a larger range of sounds and extra-musical aesthetics, not just Satan and power chords. — © Colin Marston
The term "black metal" has become a lot looser, or can include a larger range of sounds and extra-musical aesthetics, not just Satan and power chords.
Metal, I love metal sounds. If I have a stick with me, I just drag it across a fence. And all fences make different sounds, just like people when they laugh.
I was listening to a lot of Norwegian black metal and death metal. There's a great history to Norwegian black metal. That music is very dark and violent, but it's also beautiful.
I love Satan. Christianity is so boring. If Star Wars didn't have that evil imprint, they wouldn't sell two tickets. Satan sells tickets. That dude, Darth Maul, he was down with Satan. Put it this way, Satan loves to party, he loves to f**k and he loves to eat rich, delicious food. Actually that sounds a lot like Kyle Gass (his bandmate).
I just feel in a lot of ways black people are so much looser and cooler. Just as a culture, it's so much more real.
There's a lot of music out there that's like, 'I'm so mad! I'm sad! I'm into skulls and crossbones and the color black,' and that's just meaningless and shallow. So much of metal is about that and it's hard to find metal that is substantial and meaningful in terms of its content.
I buy some black metal records kind of blindly, and I end up really liking maybe 30% of them. There's a lot of duds, for me at least, in black metal. I have kind of picky tastes about it.
My attitude was always, if you are a huge metal fan, the more dedicated and more obsessive a metal fan you are, then why wouldn't you like more metal, widen your net, and include hair metal?
I hardly follow the Finnish metal scene at all at the moment. I'm more interested in traditional '80s heavy metal, and I'm still a little scared of black metal and death metal and their provocative imagery.
Is there deeply embedded change within our industry? And I would say, as a black filmmaker, it's easy for me to focus my attention on black work, but true change would include brown work, and it would include work by Asian-Americans, and it would include natives, and it would include women, and it would include more LGBTQ voices.
The power chords in 'Come Sail Away' were super heavy to me as a kid. Metal? No. Hard rock? At times, for sure.
I was directed and commanded by another power. The power of darkness. The power that you've heard so much about. The power that a lot of people don't believe exists. The power of the Devil. Satan.
Also she had the power of silent sympathy. That sounds rather dull, I know, but it's not so dull as it sounds. It just means that a person is able to know that you are unhappy, and to love you extra on that account, without bothering you by telling you all the time how sorry she is for you.
There are a lot of people who believe that the individual can't make it himself. And that's why people want to join up in various herds - herd formation. So you become part of a herd, a group. Group power of some kind. There's an awful lot of group power people in our country [the USA] - Black power, Chinese power, Indian power, woman power. Everyone is putting in together.
I try to listen attentively to musical sounds around me. You can think of the sounds of daily life as being musical. So I try to absorb the intricacies of the sounds as I would if I were listening to a piece of music. I try to see the beauty in everything.
If you develop an ear for sounds that are musical it is like developing an ego. You begin to refuse sounds that are not musical and that way cut yourself off from a good deal of experience.
I wore a 'Black Metal' Venom T-shirt once, in January 1993, to promote black metal, and I regret having done that ever since.
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