A Quote by Colin Meloy

I like all sorts of things, not necessarily just Victorian. Even though I tend to read a lot of Victorian novels, I like a lot of contemporary stuff. — © Colin Meloy
I like all sorts of things, not necessarily just Victorian. Even though I tend to read a lot of Victorian novels, I like a lot of contemporary stuff.
I like Victorian children's novels extremely a lot. If I would say I collect anything, that's what I'll hunt for now and again at old book stores.
The man Dickens, whom the world at large thought it knew, stood for all the Victorian virtues - probity, kindness, hard work, sympathy for the down-trodden, the sanctity of domestic life - even as his novels exposed the violence, hypocrisy, greed, and cruelty of the Victorian age.
My first attraction to writing novels was the plot, that almost extinct animal. Those novels I read which made me want to be a novelist were long, always plotted, novels - not just Victorian novels, but also those of my New England ancestors: Herman Melville and Nathaniel Hawthorne.
I used to be very fascinated by Victorian stuff, and my best known books, the Mortal Engines series, have a sort of retro, Victorian vibe, despite being set in the far future.
I used to be very fascinated by Victorian stuff, and my best-known books, the 'Mortal Engines' series, have a sort of retro, Victorian vibe, despite being set in the far future.
I love the Victorian era, and I always have, but I had a leg up on the writing because I was familiar with a lot of the science from the Victorian era. And that led to a massive interest in the science of this time of history.
I myself love to read those Victorian novels which go on and on, and you don't read them in one sitting. You might read one over the course of a summer, but that isn't what I want to write.
My ears are open to all sorts of stuff. I appreciate some of the big electro house guys.I love their music but I also like a lot of the stuff coming out of the U.K. Future garage stuff. A lot of stuff like that.
One of the things I really like about Victorian novels is the close anatomisation of character. People's gestures and mannerisms and the quality of their thought is very closely identified and analysed.
When I was working on a Victorian-era novel, to get in the mood, I read several historical novels set in approximately the same period and place, and really enjoyed the detective novels of John Dickson Carr.
As a younger person, I was obsessed with Ray Bradbury, and I think his stories did more to shape me as a storyteller than anybody else - even though, when I read them now, a lot of them seem overly sentimental. But that's probably the writer that I've thought about the most, even though I don't necessarily like a lot of his work.
I know a lot of other actors that don't like to look at other references to their characters and things. But I like it. I always look at everything, I read all the books. I read Dieter's "Escape from Laos." I watched the documentary again and again and again. I recorded it just to listen to him a lot. I just don't suffer from feeling like I'm getting caught into an imitation. I just feel like I want to steal some good stuff if it's in there.
She liked Victorian novels. They were the only kind of novel you could read while eating an apple.
A lot of the people I know, they don't train like that. They do a lot of quick stuff, just speed drills. But I run long distance. I've always been like that, though, even when I was in high school. That's just how I train myself.
As an artist, my wheelhouse is 19th-century literature. I want to write realist novels in a Victorian sense, and the writers I admire in that style tend to do omniscient narration.
Us comics guys tend to get really good at the things we draw a lot. I'm good at creepy old forests, Victorian houses, underground goblin cities, and beautiful but creepy fairies.
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