A Quote by Colin Mochrie
Onstage I do all the stuff I'd never do in real life, like lashing out at people who make me mad or freaking out in a long bank lineup. Performing allows me to fulfill all the sicko fantasies I've ever had.
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A huge number of real 'Chase' fans have taken me to their hearts and people are recognizing me out and about and are saying how pleased they are with me making a refreshing change to the lineup - not that they don't like the other guys but people like that we're all different.
Performing is one thing, and day-to-day stuff - like the way you talk to people - is totally different. If I acted like I did onstage in normal life, everyone would probably hate me.
I have rage and anger issues. So I get mad about stuff in real life, and then I yell about it onstage, and luckily, something funny ends up coming out. What I'll do is tape-record it, and it will end up coming out even funnier. And I add more punch lines.
I had $20 million in the bank, girls are following me all over the f - place, people call my name everywhere I go. What would I change? And then one day you get onstage and you see two little girls who look like they are 11 years old sticking their tongues out and pulling their bras down and you quit touring. That's what happened to me.
All my life, people have asked me what I was so mad about. 'Why you so mad?' And I was never mad. I'm not mad, I just look mad.
When we first put 'Let It Be' out, I had to cut out a lot of stuff that I really like and wanted to stay in there. The stuff in the new DVD has a lot of the stuff that had to be cut out. So for me, it's like the egg is now complete.
I've never liked watching real-life couples play couples onscreen or onstage. It takes me out of the story.
I'd listen to all the stuff that was going on around me and drift off into my fantasies about it. My fantasies have fuelled all the songs I've ever written.
I want to die, stripped, by myself, of all fantasies. That's the goal. I want to feel what is real, at the end, and only what is real. Grip fiercely with my eyes all that is around me--the people of my intimate life, the objects in the room, without the evasions of fantasies.
It's easy to see why 'American Horror' is freaking people out. The ultraviolent hallucinations never pause long enough to make sense. In terms of coherence, it makes your average David Lynch movie look like 'Burn Notice.'
Having a child as a single mother was a crucible - maybe this is true for all parents. I got rid of so much stuff that didn't really matter in the scheme of things-like throwing stuff out of an airplane that kept me flying too low. What was left was essential, i.e. not a lot of extraneous stuff that had kept me busy and people-pleasing. I just didn't have the luxury of wasting my life force on so much stupidity and distraction. That made me strong.
A lot of musicians have said things to me like, "Music saved my life". And "I'm standing on the shoulders of dozens of people that you've never heard of that were like angels for me that came out of the woodwork." And that's really the case for me. I had so many people that did those kinds of things for me.
For me, when I went through my depression, I always felt like I was alone, and because people never understood me, I had to shut myself out from the world. Art and music was the only thing that could ever help me get over that.
It's taken me a long, long time to figure out how to deal with negativity, because it used to really upset me. I was always that girl that, if I was performing in the club and there was one person not paying attention or not liking me, the whole club could be packed with people loving me, but I'd be obsessed with that one person.
I'm the most mellow person offstage. I think it's just, going onstage lets me get out some frustration that I'm too shy to do in real life. Instead of doing it in private, I'd rather do it in front of 1,000 people who've paid $25 to see me lose my mind.
The young man who's had the Guggenheim fortune behind him all his life - he can hire all the authorities on the subject to teach him how to do a monologue, but he's never going to have the right stuff to pull it off. If he doesn't walk out onstage needing to walk out there, he doesn't have a dream of doing well.
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