A Quote by Colin Salmon
I played myself in an Aziz Ansari comedy, and that was funny to see how they saw me... flowing scarves and a flourish of pink! Eek!
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Aziz Ansari was on 'Parks and Recreation' for, I don't know, what, seven years? And he was a really popular stand-up comedian. He even says that his Netflix show wouldn't have gotten made unless he created it himself. No one was probably willing to put someone like Aziz as the lead in a show until he actually created it himself.
Disasters are funny to me. As a comedian you learn from failure, so I'm always trying to put myself in a situation that does not seem ideal for my comedy and see how it works.
For me, growing up in Detroit, scarves meant cold weather. But I remember working in a store, and we had some silk scarves - like, wide scarves with fringe - and because I had seen the English rockers wearing skinny silk scarves, I took the scarves, cut and sewed them, and made them long - almost like a tie.
I didn't have a role model. My role model was Michael Jordan. Bad role model for an Indian dude... I didn't have anyone who looked like me. And by the time I was old enough to have what could have been a role model, they were my peers. Aziz Ansari is my peer. Kal Penn is my peer.
When it comes to work ethics and business, I look up to Aziz Ansari. He's got everything together on his own terms. He does stand-up, comes out with books, and has his own show.
I don't know, when I was a kid, when I would see shows that changed my life, I would go to see shows where there was my mother taking us to see classic rock concerts, like Zeppelin, or when I saw Pink Floyd or when I saw, you know, when I was a little older, and I saw Nine Inch Nails, and I saw The Cure.
To me, comedies are usually the least funny movies. Movies that are actually a comedy are usually not all that funny. To me Goodfellas and Raging Bull are two of the funniest movies I ever saw.
'Crash' came from personal experience. I saw things inside me from living in L.A. that made me uncomfortable. I saw horrible things in people and saw terrible things in myself. I saw a black director completely humiliated, but the three people around me just thought it was funny. 'No,' I said, 'that is selling your soul.'
When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.
When I saw myself with barely any makeup at, it was such a… like, I'm so, so attached to my pink lipstick, it's hard. I feel that it's become a part of me. To go in front of the camera, without pink lips or big ol' crazy lashes — you know, nothing — I felt naked. It was scary! So this photo shoot was a real accomplishment in my eyes.
I just hate the whole idea of labeling anything as a comedy. If you tell me something's funny, I'll want to rebel against it. When I go to a bookstore and see books categorized as humor, I get furious. Don't tell me that a book is funny. Let me decide if it's funny. It's the same with sitcoms. You call something a sitcom and people expect it to be funny. And that ruins everything.
Did you know I started out as a stand-up comic? People don't believe me when I tell them. That's how I saw myself, in comedy.
I saw it written and I saw it say
Pink moon is on its way
And none of you stand so tall
Pink Moon gonna get you all
I never really saw myself as a comedy director, and I still don't. I see myself as a director.
I don't think comedy is something you learn. I think it's something that's either there or it's not. When I read a script, I have to see the funny, and if I can see it's funny, it helps me to be able to transmit that.
I remember standing on a street corner with the black painter Beauford Delaney down in the Village, waiting for the light to change, and he pointed down and said, 'Look.' I looked and all I saw was water. And he said, 'Look again,' which I did, and I saw oil on the water and the city reflected in the puddle. It was a great revelation to me. I can't explain it. He taught me how to see, and how to trust what I saw. Painters have often taught writers how to see. And once you've had that experience, you see differently.
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