A Quote by Colin Stetson

There are mics inside the instrument, a contact mic on my throat, and countless mics clustered around the air of the horn and throughout the room. I wanted to make something that was specific to the medium of recording.
I did so many open mics. I would write jokes on Twitter constantly, and then slowly, over time, open mics turned into shows. If you can get a joke to work at an open mic, it's a good joke.
More than any other instrument, the relationship between an acoustic guitar and a microphone is super-important. The kind of mics that you use and your placement of the mics to the guitar can radically alter your sound.
I don't like karaoke because the mics are always so worn out. The quality of the mics is such that you're always going (screaming) "Yeah, yeah!" and then you can't like it. It's like sometimes I'm too professional to get up and do it.
My second year of college, I started performing comedy at an open mic. It was good to do open mics with the kids. It's a good, safe spot to start, you know?
I would. I'm just too, I'm kind of, a pussy, I guess. That's the problem. But, no, I'd love to. I think everybody should do open mics. I think it's very healthy for your soul. So yeah, I'd love to do it again, but I don't know. It's like I'm cutting a record if I do open mic now, so, I don't know.
I used to go to open mics in New York when I was starting out, and it was mostly just people who wanted an audience to look at them for eight minutes on a stage.
I always think of a voice as an instrument, whether a voice is a trumpet, or violin, or bass. You know what I mean? A horn or wind instrument versus a string instrument. Horn instruments are definitely more toward jazz.
When I started, I was very deliberate about making friends with people like John Mulaney who were really funny and wanted to go up and do as many open mics as I did.
The story of '3 Mics' is the story of a guy who wants to be something and is sort of figuring out how he gets there.
I started going to the open mics every day in 2003. You make the comics laugh, they get you work, and you build up your reputation. It was a slow process.
I'm like Demerol... No disrespect to the Jacksons, but I kill mics.
I've been listening to a lot of gospel. I think it's the most beautiful kind of music. Just thinking about a group of people on a Sunday morning - no drugs, no partying, just connecting with a higher power. Then there's usually a choir joining together on one or two mics, creating this soulful music. So the recording captures the spirit that comes through.
With '3 Mics', there's nothing I'm talking about that's too hot button.
The whole thing with playing on a stage with mics and all that has always been kind of uncomfortable to me.
I love bad comedy more than I love good comedy, so I love open mics. Or I used to. But the thing that delights me more than anything else in an open-mic performer is when the comic has one joke that requires some kind of prop. But only one. The prop is always produced very awkwardly, and it never, ever pays off. The resulting embarrassment is savory and delicious.
Open mics are a great way to rework your material to see what punchlines land best.
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