A Quote by Colleen Atwood

Every project starts with a story. — © Colleen Atwood
Every project starts with a story.

Quote Topics

As an actor, you're lucky if you get a month before a project starts. There are times when you get a day before a project starts. So to be able to really sit and inhabit that mind and the story is really beneficial, and it really helps for me to be able to then compartmentalize as we're shooting and detach and go somewhere else.
Once I start work on a project, I don’t stop and I don’t slow down unless I absolutely have to. If I don’t write every day, the characters begin to stale off in my mind – they begin to seem like characters instead of real people. The tale’s narrative cutting edge starts to rust and I begin to lose my hold on the story’s plot and pace. Worst of all, the excitement of spinning something new begins to fade. The work starts to feel like work, and for most writers that is the smooch of death.
My vision for the country is of warmth and energy. A country that starts every conversation and every project - either in business or politics - with a belief in the best in people. This is the hopeful creed of a 21st-century socialism.
Look directly into every mirror. Realize our reflection is the first sentence to a story, and our story starts: We were here.
I don't take any project lightly. Every project is important for me. In fact, every scene in every film is important.
It depends on the project, what's happening that day on the project, at what stage were in on the project; it various from project to project and where we're needed.
My story starts with my dad, a black boy born to a single mother in a small town in North Carolina. It starts with my parents meeting in Washington, D.C., in the '60s, at a time of incredible activism.
I don't relax. I can't take vacations. I'm obsessive-compulsive, and I worry with every project that I'm going to fail. When it starts to go well, and I sense that something beautiful and important and meaningful is being created, it's a fantastic feeling, and I find it very hard to stop.
I never really approach any project or story thinking of themes first or what a certain character 'represents.' Maybe other writers do, but for me, it just starts with the characters and a certain emotion I want to convey. It usually isn't until I get deeper into a book and look back a bit that I start to see the themes, etc.
Every story starts with an idea, but it is the characters that move this idea forward.
When I started in television, it was brand new. It was the miracle over in the corner of your room. Now the audience has seen every story line. People have heard every joke. They can predict the plot almost before a show starts. That's a hard, sophisticated audience to reach.
Hopefully, by the time I do a project, I already have a true understanding and love of what I'm about to do because if I don't, I'm not going to work on that project. I really want to have those connections so I can be truthful to the emotional aspect of what I have to deliver for the story.
Every new writing project, every new artistic project, needs to be protected so it can grow on its own before it begins to creep out into the world.
Every story I write starts with a dilemma or a theme. Once I am convinced that this is the issue that is perturbing my thoughts, I start to look for characters capable of representing it.
When Donald Trump is in trouble, he starts yelling, he starts screaming. He starts insulting. He starts cursing.
Every great love starts with a great story.
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