Graphic novels and comic books, by and large, as you know, have cover art, and they have interior art. The interior art is never as detailed as the cover art.
Inspiration comes from everywhere. From life, observing people, etc. From movies and books you love. From research.
Street art belongs on the street. But I'm a working street artist and I earn my money selling art in the style of street art via galleries.
The inspiration comes from everywhere, from what I grew up with. There's so much silliness and nonsense in the world that we regard as normal working procedure. The satirical point of the view may be to counterpoint that. The way we look at classics has been hijacked by the intelligentsia - Shakespeare is highbrow and seen as something clever people do, which isn't right at all. I basically pull inspiration from everywhere.
When it comes to the street-art world, there are a lot of people who realize if they go out and put up a few pieces of street art and photograph them really well, even if their locations weren't actually that high-profile or dangerous, with the level of exposure they get from the Internet, with a large audience, they can maintain that rebel cache by having it be theoretically documented street art.
People often ask where I get my inspiration from, and I always say I have no good answer because, well, inspiration comes from everywhere: people, places, memories.
You find inspiration everywhere. The best inspiration is the people you grew up with. Nobody else knows about you than when you were just regular, everyday people. That's where most of it comes from.
I get inspiration from literally everything and anything. I take inspiration from people, relationships, stories, and I take inspiration from movies I see, books I read and songs I hear.
I read tons of books, listen to music non-stop, watch as many movies as possible, catch a play when I can, art shows, concerts, bar talks - I just try to engage in art, which to me is everywhere, as often as I can because narrative lives in it all.
The Internet doesn't always play a great role for art, especially art in the street, as people take what they see for the final image of it. But the most interesting thing about street art is to see it for real, to understand what it means and where it's displayed.
My inspiration comes from everywhere, just walking down the street and I never know where it's going to come from, so I keep a notebook with me at all times and the only criteria for anything making it into that notebook is if it stops me in my tracks for even an instant, if it catches my eye or my ear and I just write it down.
To me the question of inspiration is an exercise in hindsight. The truth is inspiration is mysterious at the time. I don't think it's ever a rational process.
To me, the question of inspiration is an exercise in hindsight. The truth is, inspiration is mysterious at the time. I don't think it's ever a rational process.
Everywhere I go, people come up to me on the street and ask me if there’s going to be another one!
I take inspiration from books, movies, television, music - it all goes in the hopper. Depending on the project, I'm drawing from this or that piece of art that has stayed with me. Toni Morrison, George Romero, Sonic Youth - they are all in there.
I truly find inspiration everywhere. I always tell students, and young people starting out, that the single most important skill, next to listening, is to pay attention. You never know where inspiration will strike.