A Quote by Colleen Atwood

Some of the kimonos took as long as four to five months to make, with all the layers that go into it. — © Colleen Atwood
Some of the kimonos took as long as four to five months to make, with all the layers that go into it.
I've realized as well after five years of being on the road that if I'm going to four or five months of my life to something even if I'm overpaid, it's four or five months of my life away from home, away from my son, away from family and friends. I better believe in it on some level even if it's a big movie.
The music that I make is built on layers upon layers of musical ideas. I want to keep it fun and fresh to where listeners won't get everything from just one listen. They can go back to it months, weeks, or even years later and hear something that they didn't ever hear before. That's what it's all about.
It took me four months in Biosphere 2 to make a pizza.
It took me months and months to get back to normalcy - to have a glass of wine at dinner, to go out to a movie with my wife. Just those normal things that you take for granted I wasn't able to do for a long time.
And so not only do you have to make that work, you can't really start putting the thing together in any form because some of the shots are very short and obviously many of them take so long, you're waiting months and months and months before you can see if it's going to be working emotionally.
The Beatles production is often so 'perfect' that it sounds computerized. 'Sgt. Pepper' really does sound like it took four months to make.
I like to make songs that are gonna be here for a long time, not for five months that they play on the radio.
That's why basketball was so good, because I didn't really need you or anyone else to play it. It would be better if we played four-on-four or five-on-five, but I could go out there alone.
I want to only be part of films that are worth my time. I give my heart and soul for four-five months and I don't want that to go in vain.
At least in films you will go, you shoot for four to five months and then you can take a break. But I know how TV works... the directors are mindblowing, they work non-stop.
For young players, their minds are not overloaded. I am 54 with four kids and I do many other things. Even if I stopped everything else, spent months working just on chess, for a long match against most of the top players, a classical match, six hours, say, I don't stand a chance. I have a better chance in shorter matches. Rapid is 25 minutes, or blitz events where you have five minutes to make a move, or bullet games, where it is one minute. For blitz, five-minutes chess, I would be top ten, top five. But longer games, no chance.
I shoplifted. I was about five years old, and I took a candy from a store. We paid for three of them, but I took four, and I went home and cried. My mom took me back, and I paid for the missing piece.
I don't want to go back to WWE and burn out within four or five months, and having another run as TNA world champion would feel just as good.
I think that layers in music, whether it's layers juxtaposing emotions and feelings or layers of texture, make for a more interesting product.
I'm not the businessman. I don't deal with the business at all. Not anymore. Occasionally, every four years or five years, they tell me I've run out of money, I have to go and make some more.
Can't nobody do what Fetty Wap does. So when I go to the studio, it may be four to five hours max, probably three days out the week. I used to go to the studio for 10 to 15 hours, and I would do five to 10 songs. Now I go for four to five hours and I do, like, 15 to 20 songs. I'm an ad lib guy. Most people know me for my ad libs.
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