A Quote by Colleen Atwood

I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you have a sense of their connection with it. I then take it to the next level with the final fit.
If you stood me in a costume next to a computer graphic of the same-looking character, I think there would be a difference. And many movie fans I've spoken to would rather see an actor in a costume than CG.
Costume is always an asset. Normal costume you have a lot to say about - if you're wearing suits or ties, and what color you want, and how it's going to be cut, and stuff like that, and whether or not you're going to wear a hat, and blah, blah, blah. But, when you're wearing a special costume, and of course, costume is probably the second ingredient in character, script being first, I always find that the costume does a lot to cement your character, to put it firmly in mind.
One thing about costume design - and I think design in general - but especially costume design, is people have a misconception that it's very glamorous work.
I graduated from Academy of Fashion and Costume Design in Rome. At first, I thought I was going to be a costume designer for films, and then I ended up working in fashion - not as a designer, but mostly as a model.
I think that people are looking beyond the wig. I think they are saying, This isn't just a costume; there's a person behind this. If this costume, this character, this person has this kind courage? Why don't we share that?
I have two rules when you come to my house on Halloween. Wear a costume - 'cause if you've manned your door at your own house, you know how many kids will roll up, 14 years old with no costume and an attitude. My other rule: don't grab. Let me assess you and then design a candy situation for you.
There is a lot of things to be outraged about these days, and I think that getting outraged about an actor on a television show who may be wearing a costume that makes him larger than he is, might be low on the list.
It's just really so important for an actor to be in the right costume for their character.
As much as I can act, I don't have anything in me that yearns to be an actor - that sense of needing to be onstage, in costume, in character; that is utterly not interesting to me.
Yes, I love going to fittings and talking about the history of a costume. For 'Versailles,' a play set in 1919, the costume designer told me that pocket squares had just been introduced. The tango was becoming fashionable in London, and dancers used them to mop their brows. I love to learn fascinating stuff like that.
The right costume determines the character, helps the actor feel who he is, and serves the story.
And costume is so important for an actor. It absolutely helps to get into character; it's the closest thing to you, it touches you. Some actors like to go into make-up and then put their clothes on, but I like to dress first; that's my routine.
For me, the costume is very important. More the feel of it than the look of it. I take it more from the inside. So if I wear something that's heavy, it will affect my character. Is it very tight, and do I feel almost imprisoned, or is it very comfortable? It's the feeling of the costume that tells me where to go with the character.
I always love costume, and I'm always heavily involved in how things should look. Or how they should feel really, because that's part of the way I suppose I get into character in some ways. It's a lot about costume.
My mum was a costume designer and costume supervisor in the theater and, especially, the ballet. But that was before I was born.
We have a costume closet at home. My family will put on a costume for any excuse.
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