A Quote by Colleen Atwood

In Chicago, I walked in knowing what the dancers were going to need. — © Colleen Atwood
In Chicago, I walked in knowing what the dancers were going to need.
For 'Chicago,' the dancers need to demonstrate an affinity for the Fosse style. Sometimes dancers come in with brilliant technique, but if the Fosse style isn't easy for them, or it's awkward for them, they won't be right for this show.
It's going to take a while before we see a real shift in the students and the dancers that are going into professional companies because it takes so many years of training, but I do think that there's a new crop of dancers, of minority dancers that are entering into the ballet world.
My choice was either Chicago or Milwaukee. Milwaukee is going with a young team and Chicago is in need of a big guy, so that's it.
I'm a huge fan of Chicago sports and Chicago food, and I love going home and my family is still there. I guess it's pretty easy to have a normal life in Chicago.
I don't have many actors in my family, but I do have a Great Uncle that is a film-maker in Philadelphia, and my great-great-grandparents were Flamenco dancers in the 30's in New York, they were Spanish dancers.
It fit into my scheme of things for many reasons. At the time it was true that male dancers were looked down upon, and it was true that a lot of the male dancers were effeminate. But what I was really trying to do was develop something that would be American.
I moved to Chicago and began attending the School of the Art Institute of Chicago. The students and teachers I met in Chicago were politically active and also passionate about the same things that I was interested in. It was a great match for me.
From 1961 to 1964, I was fortunate enough to work at a think tank in the Kenwood neighborhood of Chicago. As a writer and editor, I reported in a publication about the thinkers. Our offices were in a former mansion; I worked in what had been the ballroom. As I sat typing my copy, I imagined the dancers waltzing.
I was a teenager, and I went to see the Superman movie, and up to the point I walked into that movie, I was a kid with no direction and no real purpose and no strong parental figures, and kind of aimless. I walked out of that movie knowing that whatever my life was going to be from then on, it had to have something to do with Superman, because something touched me emotionally with Christopher Reeve's performance.
At Sarah Lawrence, I realized that everybody was already what they were going to be. The painters were painting, the writers writing, the dancers dancing. And nobody wore any makeup. The art was uppermost.
I'm from Chicago, my family started a chain of movie theaters in Chicago that were around for 70 years and then one of them became the head of Paramount and the other was the head of production at MGM and we all came out of Chicago.
In vocal choreography you had to give a lot of consideration to the fact that you were working with singers and not dancers. But you had to make singers look like they were dancers, and to make the movements as natural as possible, and there to be an association with the movement, uh, somewhat to what the lyric was saying.
I was a defense attorney before I was a prosecutor, and so knowing what the defense is going to try to do is something that you have to do constantly when you're in trial. I always went to trial knowing what they were doing. So I was always in both mindsets anyway. 'Oh, they're going to do this, then I'm going to do that.'
I was once in a bar with a friend of mine, we were having a drink and a bunch of people walked in and they were talking about how, "It's official, there's going to be a 'Friends' reunion," and I'm sitting there with my friend going, "No, no, there's not."
Growing up, my parents were healthy eaters and starting to run and compete when I was 13, I knew the need to focus on what you need to eat. I remember going to grocery store myself and picking up fresh fruit and knowing early on the right foods to fuel my body.
There is always going to something very grounded about the characters I play, because of my Chicago roots, because the city is so grounded. Even my wife pointed it out when we were in the city, she said that even the architecture is grounded in Chicago, it's so solid. Because it has to deal with winters. There is something about Chicago that keeps people centered and grounded.
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