A Quote by Colleen Ballinger
When I was in college and reading music and doing ear training, I was a little more advanced than the other people in my choir classes. So to entertain myself and kind of annoy the friends around me, I would sing just under the pitch or just above the pitch.
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My mindset's just focused on looking forward, bettering myself, getting on the pitch, on the training pitch, doing what I can do to improve myself.
For me, all my negative thoughts that I have about, 'How did you miss that pitch? Why did you miss that pitch? You shouldn't have missed that pitch.' I just kind of sit there and kind of crush it up, and once I'm done doing that... I just kind of toss it aside.
Everything with me is normal except when I pitch (in Fenway Park). When I pitch here it's a little different. There is a little more anxiety to go along with the nostalgia because this is the park I grew up with as a kid. This is the park I dreamed of playing Major League Baseball in and no other ballpark has that feeling for me. There are a lot more family and friends here than in my normal starts and I want to pitch well here.
As a Welshman that can't sing, I never feel more proud to be Welsh than when I hear the Treorchy Male Choir - the Master Choir of them all. If I could sing I would apply for membership myself.
When you walk onto the pitch at Old Trafford, it is not just a pitch, it is a stage. If my father could see me on that stage, I think he would be very proud. I was always kind of chasing him, and I think even though he's not here, he helped me to get to this place.
People judge too much by results. I'm just the opposite. I care about more than results. I'd rather make a good pitch and give up a bloop single than make a bad pitch and get an out.
There's something wrong with my brain, it doesn't work properly! I can hear the same pitch in both ears, whereas for most people, if you listen to one pitch in one ear, it's slightly different in the other. That's how your brain works out direction.
I've been doing four-track songs by myself since I was like a teenager, where I'd sing in a way that I ... I just didn't think other people would like it, so I didn't play it for them but eventually I got over that, which I'm happy that I did, because it's kind of a drag to be playing a kind of music that you don't really like as much as another kind.
There is stuff going on inside me. But I have always been told to go out there and pitch like you can't tell if you just struck somebody out or just gave up a home run. If something bad happens, I don't dwell on it. Just give me the ball and let me pitch.
What I've wanted to do my whole life is just act. When I was younger, I loved to entertain people. I always used to make up dance routines, do little plays. I love to perform, basically. Music, as well, is a passion of mine. I've been singing my whole life. I probably annoy people because I sing all the time on the streets. And I play the drums and I play the guitar. I've been writing music since I was 13.
I love to have the ball. That's why I play soccer, and we have a great coach who has this kind of view, he sees everything, and I just want to help as much as I can, on the pitch and off the pitch.
The way I pitch is the way I pitch. I'm not going to change my overall philosophy. I'll just go out and pitch.
Once you're on the pitch, you play for your team, and you want to win. During the year, you can play against friends - you can play against big friends and close friends - but once you are on the pitch, this friendship goes away, and you just focus on winning the game.
I threw a lot more curveballs in college and the minor leagues. Up here, they're looking for that pitch. A curveball is more recognizable out of the hand than a fastball or changeup. They're taking them or hitting the mistakes I make with them. I don't want it to be so recognizable. I'll have to work with that because that was my pitch.
Getting my curveball back and finding another pitch just helped me figure out how to pitch.
What keeps this industry alive is creators doing their own work. Once you change a costume or origin enough times, it's a dead body - you're just electrocuting it and keeping it sort of shambling on. There is a lot more creator-owned stuff now, and some of it I look at and go, 'Oh, that's his pitch for a TV show. That's his pitch for a movie. That's him saying oh, this kind of thing sells.' I didn't do that.
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