A Quote by Colleen Ballinger

I'm pretty sure I don't want a camera in my face when I am in labor. — © Colleen Ballinger
I'm pretty sure I don't want a camera in my face when I am in labor.
Now I know what it feels to be a working mother - it's a mixed feeling. A part of me wants to face the camera, the other wants to stay with my son. But I am sure when the camera rolls, I'll forget everything else.
I am not a star. I am an actor. I have been fighting for years to make people forget that I am just a pretty boy with a beautiful face. It's a hard fight, but I will win it. I want the public to realize that above all I am an actor, a very professional one who loves every minute of being in front of the camera. But one who becomes very miserable the instant the director shouts, 'Cut!'
I am sure it does not hurt that Mitt Romney is my dad. I'm sure it's opened a lot of doors for me. But I think I've been pretty effective once I've gotten through the door at doing a pretty good job.
It's a well-known fact that the TV camera adds 10 pounds. I don't want to say that I've been calling my Jenny Craig consultant a lot, but I'm pretty sure I'm the first spokesperson whom they've considered filing a restraining order against.
I don't want some pretty face to tell me pretty lies, all I want is someone to believe.
The idea of taking command of your life and doing something that you're not sure if you can do and you're not really sure if you should do it, I think is pretty timeless. We all face those doubts often, if not constantly.
In the early days of my child labor activities I was an investigator with a camera attachment... but the emphasis became reversed until the camera stole the whole show.
If someone put a camera in my face now, when I am in student mode, I would get embarrassed, but when I am modelling, I play characters.
I want to be here for a long time, so I am going to do everything I have to do to be here. And I want to walk my daughter down the aisle and give her away to somebody some day. I want to make sure I am still here to make sure my two young [sons] become men.
I want to be here for a long time, so I am going to do everything I have to do to be here. And I want to walk my daughter down the aisle and give her away to somebody some day. I want to make sure I am still here to make sure my two young sons become men.
One finds fortunes built on slave labor, indentured labor, prison labor, immigrant labor, female labor, child labor, and scab labor - backed by the lethal force of gun thugs and militia. 'Old money' is often little more than dirty money laundered by several generations of possession.
I guess people wonder if I'm the same on camera as I am off, and I'm pretty much the same, I really am. But that's always asked of me.
I can use the camera to make a place or landscape; the camera to a greater extent projects rather than takes in or reproduces. The camera, or, rather, the eye, produces the impression of the place: I as a photographer am not passively taking in; I am active as a subject generating the object.
You don't want to be the guy whose back's to the camera in the emotional part of the movie. So, you have to be aware of the camera movement and what the camera's doing.
I'm used to having a camera in my face but not a camera following me.
Superstars come and go. I want to make sure I am always a producer's actor. I may be refused to be called a great actor but I have never troubled any of my producers in my life. Honesty always catches the camera, and that is what my strength is.
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