A Quote by Colleen Ballinger

As a vocal performance major, I went to school with a lot of singers who were cocky and not very nice. — © Colleen Ballinger
As a vocal performance major, I went to school with a lot of singers who were cocky and not very nice.
In vocal choreography you had to give a lot of consideration to the fact that you were working with singers and not dancers. But you had to make singers look like they were dancers, and to make the movements as natural as possible, and there to be an association with the movement, uh, somewhat to what the lyric was saying.
I feel there are tone singers, and there are more vocal gymnastics singers. And I think that's amazing when people can do that, but I think there's room for the tone singers. And there aren't a lot of them.
I had a very nice life. I was a very good kid. I had nice friends. I played in the school yard. I was nice to my parents; they were nice to me. They were loving parents - they were always there.
I think we did our first session in 1958. There were no black background singers - there were only white singers. They weren't even called background singers; they were just called singers. I don't know who gave us the name 'background singers,' but I think that came about when The Blossoms started doing background.
There is a lot of propaganda about opera singers not being able to act. That's not necessarily true and hasn't been true for a very long time. And certainly there were those instances when singers were told they need to fit into a certain size dress. Of course, women. Men? They just make the costume bigger.
I danced for a while, and I knew I could sing, so I just began singing in a praise band at church and doing musical theater and jazz vocal performance in school. One didn't really lead to another; I was just always interested in the performance arts.
My vocal influences are a lot of jazz singers: Billie Holiday, Julie London, they had this tenderness to their voice.
It [my vocal] didn't sound like what I wanted to hear; the vibrato isn't what I liked anymore. So I got myself to an ear, nose and throat guy who does a lot of work with singers, and I was hoping there was a big wart on my vocal cords or something and they could scrape it off and I could have the voice I wanted. But he said, "No, for 71, that's your voice."
I enjoyed hitting in the Major Leagues more than in the Minor Leagues. I didn't want to tell anybody it was easier, because I didn't want to sound cocky. But Major League pitchers had better control, and most of them were around the plate.
I never felt that I belonged. When I was at school... First I went to a Jewish school, when I was very little. But when I was 12, they put me in a school with a lot of traditions, and they were educated people and they were talking about Greece and the Parthenon and I don't know what.
If I am able to sing again it will be through some miracle operation. There's a lot of work being done to help singers regain their voices, but in my case I actually lost vocal tissue so it's very hard for my chords to rub together and I need to replace that tissue. I remain optimistic but not tremendously so.
I like the big bombastic singers, but I'm also very drawn to what I call character singers. They're people who obviously aren't very huge singers, but they've got this ability to tell a story and touch you emotionally without really using any kind of histrionics or special effects.
I went to a performing arts school, and we studied musical theater, jazz vocal performance, and they kind of start you out on those things because they feel like it is a good foundation, and it was.
I am sure," cried Catherine, "I did not mean to say anything wrong; but it is a nice book, and why should not I call it so?" "Very true," said Henry, "and this is a very nice day, and we are taking a very nice walk, and you are two very nice young ladies. Oh! It is a very nice word indeed! It does for everything. Originally perhaps it was applied only to express neatness, propriety, delicacy, or refinement—people were nice in their dress, in their sentiments, or their choice. But now every commendation on every subject is comprised in that one word.
I'm as flighty as anybody. You put a lot out there. I've been through the process a lot. When I play a major role, it's my instinct to create a nice atmosphere. People in the major roles dominate the tone of an entire film. To my mind, it's much easier to work creatively when everyone's friendly.
I was a general business major, which meant that in any business school and particularly at Smith School, which is a very good school, you do a lot of team projects. Well I was the guy who gave the presentations for the team projects.
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