A Quote by Colleen Hoover

As far as what readers can expect with 'Maybe Someday,' I'm not the type of writer who writes to educate or inform my readers. I simply write to entertain them. — © Colleen Hoover
As far as what readers can expect with 'Maybe Someday,' I'm not the type of writer who writes to educate or inform my readers. I simply write to entertain them.
The ear is the only true writer and the only true reader. I know people who read without hearing the sentence sounds and they were the fastest readers. Eye readers we call them. They get the meaning by glances. But they are bad readers because they miss the best part of what a good writer puts into his work.
I do open endings on purpose. I expect a lot from my readers. I want them to do much of the work, because I believe that the story is built by the reader, not by the writer. I like having an open ending to a standalone fantasy, because it allows a continuing story to be written in the hearts of the readers.
There is a contract between the reader and the writer. The readers give me their hard-earned cash, and I have to entertain them.
I think that readers believe that a writer becomes friends with the people he interviews and writes about - and I think there are some writers who do that - but that hasn't happened to me. I do think it's dangerous because then you write the article to please them, which is a terrible error.
Such men alone are my readers, my proper readers, my preordained readers. Of what account are the rest? The rest are simply... humanity. One must be superior to humanity in power, in loftiness of soul- in contempt.
Anyone who writes down to children is simply wasting his time. You have to write up, not down. Children are demanding. They are the most attentive, curious, eager, observant, sensitive, quick, and generally congenial readers on earth.... Children are game for anything. I throw them hard words and they backhand them across the net.
History buffs expect historical background in historical fiction. Mystery readers expect forensics and police procedure in crime fiction. Westerns - gasp - describe the West. Techno-thriller readers expect to learn something about technology from their fiction.
I'm far more often annoyed than delighted by previous readers' marks in used books, so I assume that my notations will be equally annoying to future readers, and avoid making them.
I'm not looking to write the great American novel, win a Pulitzer or teach history. I write to entertain my readers.
Irish readers, British readers, American readers: is it odd that I haven't a clue about how differently they react? Or better say, I cannot find the words to describe my hunch about them.
I do believe that characters in novels belong to their writers and their readers pretty equally. I've learned a lot of things about the characters I write from people who read about them. Readers expand them in ways I don't think of and take them to places I can't go.
I expect that my readers have been to Europe, I expect them to have some feeling for a foreign language, I expect them to have read books - there are a lot of people like that! That's my audience.
My readers are 90 percent gay, and it's who I write for. I am not here to entertain straight people.
I believe in books that do not go to a ready-made public. I'm looking for readers I would like to make. To win them, to create readers rather than to give something that readers are expecting. That would bore me to death.
I made a decision to write for my readers, not to try to find more readers for my writing.
A writer doesn't write for his readers, does he? Yet he has to take elementary precautions all the same, to make them comfortable.
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