A Quote by Collier Schorr

I always had a sense that clothes, be it uniform or vintage, could help to create a character. — © Collier Schorr
I always had a sense that clothes, be it uniform or vintage, could help to create a character.
For a long time I had a vintage stall, where I sold men's vintage clothing, and my girlfriend was convinced it was just to do with a problem I had where I just couldn't stop buying senseless clothes, even if they didn't fit me.
I remember reading this thing that Elizabeth Taylor wrote. She had her first kiss in character. On a movie set. It really struck me. I don't know how or why, but I had this sense that if I wasn't really careful, that could be me. That my first kiss could be in somebody else's clothes. And my experiences could all belong to someone else.
Clothes are a kind of uniform. A nun's habit, a surgeon's scrubs, a cop's uniform. People often say that when they put on a certain uniform, they actually think of themselves differently.
Costumes say a lot about a character. When it came to 'Palo Alto,' it was important for me that the kids didn't look perfect. In most teen movies today, all of the clothes are expensive. I remember wearing a lot of dirty vintage clothes.
That's always my ambition is to create a character out of what will help tell the story. I've never been an actor to say my character wouldn't do that, because he should do that in order to help tell the story.
Up until recently, I've always been a vintage store guy. I get a lot of my clothes second hand. I really enjoy being able to look through different styles you can find and how eclectic the vintage store vibe is.
I love vintage clothes. I have a real passion which probably comes from the days of my mum who had this great dress up box that she put all her clothes from the 60s and 70s in - platform shoes and jumpsuits and boots.
But I was always much more interested in reading fashion magazines than I was music magazines when I was a teenager. Just that sense of romanticism and escapism and the dream of it has always been quite alluring to me, as well as that sense of becoming a character through clothes.
I'm really into vintage clothes. So I've been... vintage shopping and kind of adding and reconstructing things and just doing a little bit of designing.
The clothes, the shoes, the gold belts and the necklaces always click me into the character, for sure. You could not feel the character, and then you put on the shoes and get the walk.
One of the rules of the road is that if you want to create the sense of silence, it frequently has more pungency if you include the tiniest of sounds. By manipulating what you hear and how you hear it and what other things you don't hear, you can not only help tell the story, you can help the audience get into the mind of the character.
I create music; I create painting; I create whatever I want to create. I create, what you say, clothes. I create, I don't know, dance move. I create anything.
You could never teach other people anything that mattered. The important things they had to learn for themselves, almost always by making mistakes, so that the lessons arrived too late to help. Experience was in that sense useless. It was precisely what could not be passed along in a lesson.
My personal style is a big mix. A lot of it's pretty vintage. I love vintage looks. I'm obsessed with the mid '60s era, even '70s, it was a good era for clothes, hair, music, and cars.
I never had a problem with genre because a genre actually is like a uniform - you put yourself into a certain uniform. But if you dress up in a police officer's uniform, it doesn't mean that you are an officer; it can mean something else. But this is the starting point, and the best way is to not to fit into this uniform but to make this uniform a part of yourself.
What I always loved about vintage clothes is that you let the woman who wore it before you live on in some way.
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