A Quote by Collin Morikawa
I think it helps to know where you're at. I don't want to be coming down 18 knowing I need to make par, and trying to force a birdie or doing something stupid.
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You can't sit down and write 300 compositions in a three-month period and think that you're doing it all by yourself. Obviously, there's something going on here. And whether you want to call it channeling or being connected to a creative force or knowing your history and knowing where you belong, that's, you know, maybe a personal thing.
You know what's funny, I really hate Par 3's. I feel like you have to be perfect from jumpstreet. But on Par 5's, you can mess up a little bit, but you still have time to adjust before you get to the hole and still end up with a birdie or a par.
Writers don't want to appear to be stupid. I don't know - maybe people become writers so that they can prove that they're not. Of course getting a book published doesn't mean that they're not stupid. At a certain point you have to stop trying to prove something and write because you need to think about something and want to communicate, in a very broad sense.
I don't want to force anything on anyone. I'm not trying to bust you over the head and make you buy this record or this song or whatever. I'm presenting it to you so you can take it in. You know, it's like trying to force a kid to eat broccoli. If I present it as trees that make your muscles grow, my son is like, 'I'm down with getting muscles.'
If you can hit your 3- and 5-woods with confidence from the fairway, par 5s become birdie opportunities, and 420-yard par 4s are a lot less scary.
Just hearing somebody's voice in center field, it helps our guards out to know where they need to go, when the screen is coming, when the back door is coming, when the flare is coming. When different things like that happen and we're talking, it helps us all out in the long run.
When you go out to make something, you want it to be great. You need to put a bubble around that, so no one can get into the force field and change what you're setting out to make. That's all us being producers is doing, is allowing our power to protect the integrity of what you're doing.
Writing something down and processing it, sitting with a text and a story, editing and rewriting new drafts - that entire process helps clarify something for myself. Depending on the person, the act of trying to tell your story helps you understand yourself better, helps you come to terms with something that happened.
Self-esteem creates natural highs. Knowing that you're lovable helps you to love more. Knowing that you're important helps you to make a difference to to others. Knowing that you are capable empowers you to create more. Knowing that you're valuable and that you have a special place in the universe is a serene spiritual joy in itself.
I want to make you faint. I will make you faint. You've had this coming to you for years. None of the fools you've known have kissed you like this - have they? Your precious Charles or Frank or your stupid Ashley... I said your stupid Ashley. Gentlemen all - what do they know about women? What do they know about you? I know you.
I always think that you should never, ever force a producer to do something with a song that they don't think they can do something fantastic with, I think it's a stupid idea to force it, even if you think it's your best song.
If you borrow money to make money, you've done something magical. On the other hand, if you go into debt to pay your bills or buy something you want but don't need, you've done something stupid. Stupid and short-sighted and ultimately life-changing for the worse.
I think he came to die with me," I say. I clamp my hand over my mouth to stifle a sob. If I can keep breathing, I can stop crying. I didn't need or want him to die with me. I wanted to keep him safe. What an idiot, I think, but my heart isn't in it. "That's ridiculous," he says. "That doesn't make any sense. He's eighteen; he'll find another girlfriend once you're dead. And he's stupid if he doesn't know that." Tears run down my cheeks, hot at first and then cold. I close my eyes. "If you think that's what it's about..." I swallow another sob. "...you're the stupid one.
I make 18 three-footers after every round. It's just something that helps me focus on routine, and helps me hear the ball go in the hole. It's something I do every day.
Reverse psychology is an awesome tool, I don't know if you guys know about it, but basically you can make someone think the opposite of what you believe, and that tricks them into doing something stupid. Works like a charm.
If golfers can run around and crow when they make a birdie, I think it would be just as proper to lie down on the green and cry when you make a bogey.
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