A Quote by Collin Sexton
I'm my hardest critic because I know what I can do and I strive to be as perfect as I can be even though I know it's not possible.
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Finishing something is the hardest part. You know it's not as good as you hoped. You know there are plot problems. You know that by finishing it, you're saying - even if only to yourself - 'This is the best I can do.' And because it's not perfect, that's really hard.
Direction is the most invisible part of the theatrical art. It's not like the conductor in the symphony orchestra performance because he's standing in front of you waiving his arms. You now what he's doing. You don't know what the director is doing unless you know a lot about theater and even then you can only deduce it. You know it when you go to rehearsal. You really know it when they are rehearsing something of yours. I learned more in the rehearsals for The Letter than I have ever dreamed of know in the theater as a critic. If it doesn't make me a better critic, I'm an idiot.
A critic may reject some miracle stories as legendary, and not others, with no inconsistency at all for the simple reason that even if one holds miracles to be possible, one need not hold legends to be impossible! There are other factors, literary and historiographical ones, that might lead a critic to conclude that even though miracles can happen, it does not appear that in this or that case they did.
I don't even bother trying to picture a perfect world, because I don't think that perfection is something to strive for. I prefer imperfection. That's what makes things special. You know, things that change
Even though you strive for perfection, you're never going to play the perfect game.
Critics don't bother me because if I do badly, I know I'm bad before they even write it. And if I'm good, I know I'm good. I know best about myself, so a critic doesn't anger me.
I know I mispronounce things constantly, because maybe I read more than I talk, but I don't know the proper way to say a lot of things, even though I know what they are. But then I know I look like a moron.
My desire is to strive toward perfection; to be as much in harmony with God's will as possible; to live up to the highest light I have. I'm still not perfect, of course, but I grow daily... I am able to do everything I am called to do, and I do know what I need to know to do my part in the Divine Plan. And I do experience the happiness of living in harmony with God's will for me.
I am religious by nature, I'm not a nihilist. I don't follow, I don't even know what the tenets of things like deconstructionism are, and all those schools that come up and their way of looking at things that people strive to incorporate into what they write. I don't even know what they are. Because I sense from a distance that I don't want to know. And therefore even if I had no politics, actual politics, my cultural point of view is hopelessly out of date with the modern literary sensibility. Which is nihilistic, and ironic, detached, cool, and cowardly.
I don't know how much I believe in redemptive stories, even though people want them and strive for them.
Because on some level, even though it never turns out to be true, and even though I should know better, I still expect life to be like the movies.
You don’t have to be part of a club to know Jesus. And you don’t? have to be part of a scene to know Jesus. And you don’t have to be perfect to know Jesus. You don’t even have to be semi-perfect to know Jesus. You just have to be willing, and open, and honest.
Where you really have your eggs in one basket and that breach happens and you know you should go but you're still in love and you just don't know what to do. It hits you because it's not like -- you're a cheater, and a liar, and I hate you, and you're no good, and I'm leaving. It's not that. It's like, I'm tormented. Even though you've done this and I know it, I still don't know what to do. I know I should go, but I don't want to. And that's why it's such a f***ed-up thing.
One of the hardest aspects of this protracted public persona is not knowing others as well as they feel they know me. It's a rather clumsy feeling actually; to not know someone who acts as though you're old friends.
I know my limitations. I know I'm not perfect. I know what I know, but more importantly, I know what I don't know. When I don't know something, I surround myself with people I can trust to teach me.
The hardest stories we tell are always about ourselves. How do you explain that you have been missing your mother for 20 years? I don't know how to explain that to you. I wasn't even sure I wanted to film that, because I don't know how I felt about it. I didn't want to put her through it, and I frankly wasn't ready. Because since I was 16, I just had created my own life for myself, you know? I left when I was 12. I'm 32. And I have gotten to know my mother more through editing her and looking and watching and editing her footage, you know.
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