A Quote by Colm Meaney
There are so many burning issues to be dealt with that it's completely understandable and natural that a character is struggling with these issues themselves. In that struggle, you inform the audience. The thing about this writing is that it's very easy to learn. Good writing always is.
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Writing is therapeutic. It helps you cope with issues that seem gargantuan at the time. The process of expressing yourself about a problem, editing your thoughts, and writing some more can help you control issues that you face.
I think the songs I was writing after Aeroplane were full of a lot of undealt-with pain that was just a little too big... the issues seemed too large for me to confront intuitively through songwriting. I kept pushing it and pushing it. There are so many issues about being human and why people inflict pain on each other. There were seeds of all these things I hadn't dealt with. With just the personal issues, I felt I was in over my head, but then to write about it... To write you have to have at least a little bit of confidence you know what you're talking about.
These are old issues. Female power, misogyny, the treatment of women, how you make meaning in the world. And these are all issues that I've been thinking about and writing about for a very long time.
I don't know if I ever would have developed into a good actor, but that got completely scotched when I lost my vocal cord at 14 in the operation. But writing always - writing plays, writing, writing, writing, that was what I wanted to do.
I just always wrote songs as a side hobby. So it was sort of a natural thing to write comedy songs. But when I started writing songs, I wrote very serious songs. Or things that a 13-14 year-old would think are very serious issues.
The Myth of Male Power dealt much more with the political issues, the legal issues, sexual harassment, date rape, women who kill, and those issues were very much more interfaced with the agendas of feminism.
I'm certainly not ready to go changing the world overnight right now. I'm completely uninformed about a lot of our issues, a lot of the nation's issues, not just Indigenous issues.
I have very mixed feelings about Jesse Jackson. He's very good about labor, and human and civil rights issues, but not so good on cultural issues.
We know form past experience that when you put women's issues or face issues on the back burner, they never get dealt with. So all struggles have to be dealt with simultaneously, but within an anti-capitalist framework. A monumental task, but nothing less will do.
To be the windowpane - this is basically a bastardization of what Orwell said about good writing - so you can get the conversation going and frame it the right way and make sure people aren't lost. And then you let the candidates illuminate the issues themselves.
I have to say, Any Given Sunday was good, but it was too ambitious. You can't do everything in three hours. It went on through ownership issues, quarterback issues, the running back issues, LT issues, and all that, even the coach issues. It was too much. Whereas, Playmakers says, Yeah, you got all those problems, but my god, you're playing football, you're doing the best thing in the world. You're playing football, you're having fun, you're getting paid to play a game. Well, with all the bad things about Hollywood all the drug use, all that, it's still a pretty good life.
I don't know if I even consider myself a very political person. I have always had strong beliefs on important social issues. Politics have politicized social issues, but I don't know if social issues are in fact political. If anything, they are more human issues than they are political issues.
And the writers are good in that it's easy to memorize, and good writing has an innate rhythm to it. And I've always felt that it's easier to get in your head than writing that has very kind of mind busting moments.
So I've gone in and out of the UN, working on counter-terrorism, on UN reform, on peacekeeping, peace and security issues, many things through the years but always with a strong interest in humanitarian issues, and human rights issues as well.
So I've gone in and out of the U.N., working on counter-terrorism, on U.N. reform, on peacekeeping, peace and security issues, many things through the years but always with a strong interest in humanitarian issues, and human rights issues as well.
Sometimes with certain writing, you feel like you've got to be literal, hit it hard on the nose, just to get the point across. Good writing is more subversive I think - or good scenes. They are about one thing on the page but you can make it about something completely different.
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