A Quote by Colm Toibin

Look at Austen. In her novels, you get a dance, followed by an encounter, followed by a letter, then a period of solitude. No flashbacks and no backstory. Let's have no more back story!
When you look back on a historical period of music, it seems so obvious to you what the characteristics of it are, but they're not obvious at the time. So, when I look back at my own work, I could easily write a very convincing sort of account of it that made it look like I had planned it all out from day one and that this led logically to that and then I did this and then that followed quite naturally from that. But that's not how it felt.
In my mind, I am extraordinarily handy. But what that means is when I attempt to fix something, there's usually a five-minute period of experimentation, followed by a five-minute period of frustration, followed by a frantic phone call to a professional.
If we look at the life cycle of technologies, we see an early period of over-enthusiasm, then a 'bust' when disillusionment sets in, followed by the real revolution.
I seem initially to have followed Fauvism, and then to have followed in Cézanne's footsteps. Whatever - I do not mind... as long as first of all I remained Vlaminck.
Because I had grown up with Jane Austen novels and period dramas, I was very familiar with that period and that world.
During 'Saturday Night Fever' at the end of the first act dance number I tried to perform a split-jump, only I can't do them so I ended up on my ass followed by the most unsightly backward roll out of it, followed by the cast falling over in laughter and a good portion of the audience too.
My first two novels were quirky detective stories followed by a couple of SF/Fantasy novels.
It's always nice to do the flashbacks. That's what's so great about 'Scandal' is that we get to do flashbacks and then keep figuring out and discovering more things about our characters that make them fuller.
The fire was followed by a period of grieving and then by an incredible lightness, freedom, and mobility.
The starkest rejection letter might be followed by a million-dollar advance. Don't let rejection start to look the same as failure.
Danger followed in his wake . . . followed, because it wouldn’t dare get in his way.
[...] endless action and reaction. Those beautifully rounded pebbles which you gather on the sand and which you hold in your hand and marvel at their exceeding smoothness, were chiseled into their varies and graceful forms by the ceaseless action of countless waves. Nature is herself a great worker and never tolerates, without certain rebuke, any contradiction to her wise example. Inaction is followed by stagnation. Stagnation is followed by pestilence and pestilence is followed by death.
Nationalism is like alcoholism: a short period of exaltation followed by a long period of headaches.
I staggered backward-her one hand gripping my shoulder, the other still holding my wrists behind her-and she followed until my back hit the wall.
It's good to be on the edge, but I have never followed my mind. I have always followed my heart. And it has yielded the right results.
As I followed him along the sharp black stones, I could hear Link's voice in my head. "Bad move, man. He's gonna kill you, stuff you, and add you to his collection of idiots who followed him back to his creepy cave
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