A Quote by Colm Toibin

I think the whole business of people emigrating was that no one ever told them, although everyone knew, especially if it was to the United States, that it was forever, and the party before you left was called an 'American wake,' in the sense that they knew you wouldn't come back.
Who would have ever thought I'd find love, contentment and joy in a prison cell, but I did. I knew that I knew that I knew that day, I'd been released, and I thought to myself, "I need to tell everyone about this" because no one had ever told me.
Tonight, I want to say to every member of the democratic party, who believes in limited government, in personal opportunity and the united States constitution, and a safe and secure America, come home. To the Reagan Democrats, your party has left you. And the Republican party wants you, we welcome you back.
Although... the Chief Magistrate must almost of necessity be chosen by a party and stand pledged to its principles and measures, yet in his official action he should not be the President of a party only, but of the whole people of the United States.
This was it. Together. Forever. As we left it all behind, the sun warmed my back, lighting the way before us. I knew of no better omen.
I knew a dude whose entire check was going to his car. He didn't care. This is back when the Mustang 5.0 came out in, like, '82. Between paying the note and insurance, I think he had like $40 left. A lot of people knew people because of their car, and not them.
When I was asked to leave, I left... Then they made me come back. I did, and I decided to enjoy it. It was one year. I care about everyone at 'Criminal Minds' but I knew, in my heart, I had left.
To read 'Happy Talk' is to crash a party as vivid and surreal as Felini's 8. It's the business of show business, the American dream, told by a chorus of Americans locked just outside of that dream, outside of the United States, relegated to expatriate status on the shores of Haiti. Melo paints a version of Haiti that's an interior landscape perhaps even more than an externalized place. This Haiti is a plan, a memory, a morphine-drip fueled dream out to bond its inhabitants forever.
In the United States, the political system is a very marginal affair. There are two parties, so-called, but they're really factions of the same party, the Business Party.
I keep thinking that history runs in cycles, and that some day certain large issues will come before the country again. There will be leaders that inspire young people. I don't think it means that it's over forever, but I'm getting pretty impatient. I'm hoping it comes soon, so that my young people can know that experience that we knew in the '60s, and that the World War II generation knew during the '40s.
Donald Trump always puts himself first. He built a business career, in the words of one of his own campaign staffers, "off the backs of the little guy." And as a candidate, he started his campaign with a speech where he called Mexicans rapists and criminals, and he has pursued the discredited and really outrageous lie that President Obama wasn't born in the United States. It is so painful to suggest that we go back to think about these days where an African-American could not be a citizen of the United States.
I knew these false attacks would come. I knew this day would arrive, it's only a question of when. And I knew the American people would rise above it and vote for the future they deserve.
Many of Reagan's listeners thought he was dreaming. But Reagan had faith in freedom. He knew that communism, although militarily powerful, was ideologically dead. He knew what our Founders knew: that, in a truly legitimate government, power does not come out of the barrel of a gun, but only from the consent of the people.
But I grew up in a place where no one knew anyone in the entertainment business, I never knew it was an actual career. The closest I ever got to movies was going to watch them, and I thought that's the way it would be, so I never considered working in this business.
People think my career started when I sent that tape to Renaissance. I’d actually been working hard for seven years before I got to that point. I was putting on parties and booking DJs around me to get my name on the flyer. I knew I had to do it for myself. I knew no one was going to come knocking on my door. I knew it was up to me.
When they were making black films in the '60s and the '70s, everyone knew their place, if you get my drift. You understand? Everyone knew the rules, and everyone knew their place. Everyone knew what to say. They had the written rules in Hollywood film, and the unwritten rules.
People felt themselves watching him even before they knew that there was anything different about him. His eyes made a person think that he heard things that no one else had ever heard, that he knew things no one had ever guessed before. He did not seem quite human.
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