A Quote by Colm Toibin

Suffering is too strong a word, but writing is serious work. I pull the stuff up from me - it's not as if it's a pleasure. — © Colm Toibin
Suffering is too strong a word, but writing is serious work. I pull the stuff up from me - it's not as if it's a pleasure.
Cycling is so hard, the suffering is so intense, that it’s absolutely cleansing. The pain is so deep and strong that a curtain descends over your brain….Once; someone asked me what pleasure I took in riding for so long. ‘PLEASURE???? I said.’ ‘I don’t understand the question.’ I didn’t do it for the pleasure; I did it for the pain.
I'm not the "not-working" type. I derive pleasure from my work. Work gives me relaxation too. Every moment I am thinking of something new: making a new plan, new ways to work. In the same way that a scientist draws pleasure from long hours in the laboratory, I draw pleasure in governance, in doing new things and bringing people together. That pleasure is sufficient for me.
Everyone told me, "Don't ever talk about international stuff," and "Don't do long-form content online," and "Don't get too serious in news," and "Don't be too heavy" - all this stuff, all the rules. But we broke the rules, and that, ironically, has led to some of our most successful stuff.
The word 'art' is very slippery. It really has no importance in relation to one's work. I work for the pleasure, for the pleasure of the work, and everything else is a matter for the critics.
I've been writing songs since I was like six or seven. I've been writing poetry and short stories and stuff, but my first serious, serious song, I wrote when I was fourteen.
I have to be entertained by what I'm writing, so a lot of my stuff has a goofiness or scatological quality. If these characters can entertain me, then I feel like I can deal with the darker or more serious stuff.
My parents find me hilarious. They don't pull me up for anything because I'm a good daughter. I stay at home, don't party too much, people don't talk about my affairs or that I am unprofessional. In fact, people tell my parents that I'm so well-brought up. Yes, I tend to shoot my mouth off, but they don't pull me up for that.
I think I'm good with actors. I like directing actors. I also like to show up and just do an acting gig. Where I'm just a hired gun, I don't have to have an opinion on anything.I never got involved in all this stuff because I wanted to control stuff; I got involved in writing and producing because I wasn't getting interesting acting gigs. In a way I'm grateful that I didn't get interesting roles, because it made me pull my finger out and do some work.
What really matters is the work. And what matters to me is doing the work. I'm not looking at the back end: "What am I going to get out of this? What's going to be the reward?" I'm just looking at the work, the pleasure of being able to do the work. And that's what the fun is: To climb up the mountain is the fun, not standing at the top. There's nowhere to go. But climbing up, that struggle, that to me is where the fun is. That to me is the thrill. But once that's over, that's kind of it. I don't look too much beyond that.
I've quit writing screenplay [adaptations]. It's too much work. I don't look at writing a novel as work, because I only have to please myself. I have a good time sitting here by myself, thinking up situations and characters, getting them to talk - it's so satisfying. But screenwriting's different. You might think you're writing for yourself, but there are too many other people to please.
When you play the bars, you pay your dues. It does matter that you know those things [songs]. And the great thing for me, too, is that I draw on that stuff as influences. It's also stuff that you put in the tank that you pull from to make records.
Once I pull up to the stadium, for me it's all business. This is my job and I take it really serious.
Writing's not always a pleasure to me, but if I'm not writing every other pleasure loses its savour.
The desire of Lain Americans to live in just and egalitarian societies is too strong; it cannot be destroyed overnight. There were some serious setbacks - in Argentina and Brazil. And Venezuela is suffering immensely, battered by its own shameless elites sponsored from abroad. But the country is still standing.
There was lots of pleasure in writing The Flamethrowers. Then again, what is pleasure? Some pleasure is easy and other kinds are never quite felt, existing only as the residue of hard work, or more as satisfaction than thrill.
That's how writing works, at least for me: even the stuff that doesn't work out gets funneled into the stuff that does work out.
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