A Quote by Colm Toibin
I think you can get a sort of intensity and an edginess offering nine stories in a book. Competing versions of things.
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When a book, any sort of book, reaches a certain intensity of artistic performance, it becomes literature. That intensity may be a matter of style, situation, character, emotional tone, or idea, or half a dozen other things. It may also be a perfection of control over the movement of a story similar to the control a great pitcher has over the ball.
I do like the old versions of our songs - there are good things in them, but I think that the good things that happen in the new ones kind of outweigh that. The murkiness of the first version of the record was not really what we'd intended. It has sort of a dream-like quality, but I feel like that has been preserved in other ways in the newer versions, as well as the bonus disc.
When a book, any sort of book, reaches a certain intensity of artistic performance it becomes literature.
I think that for a lot of actors - especially American actors - to get line readings and to be told and have your director literally act out the part for you is sort of discouraging in a way. It's a very Eastern European thing to do - a lot of directors that I worked with in Russia did that as well. And, I never took that as an insult, as many actors tend to do. To me, I think it's just offering a certain energy - offering their flavor - and, instead of trying to sort of decode and communicate it to you, they just show you their flavor of what it should be.
When you learn about stories in school, you get it backward. You start to think 'Oh, the reason these things are in stories is because a book said I need to put these things in there.' You need a death, as my husband says, and you need a little sidekick with a saying like 'Skivel-dee-doo!'
The story was the important thing and little changes here and there were really part of the story. There were even stories about the different versions of stories and how they imagined the differing versions came to be.
How precious a book is in light of the offering, in the light of the one who has the privilege of this offering. The library tells you of this offering
How precious a book is in light of the offering, in the light of the one who has the privilege of this offering. The library tells you of this offering.
People are offering competing visions of what happened in the past. And the justice system is willing to accept either of those competing visions and to impose consequences as a result. When you think of it that way, it's a little bit startling, because we want to believe that there is one truth and, therefore, one justice, whereas, if you have practiced law as long as I have, you realize that there is actually a range of acceptable outcomes.
I always have a few ideas that are percolating, and then after I've finished a book and it's a year later, and things are sort of festering and things are disgusting in my house and I have to get back to work, whatever project I keep thinking about is the one I end up working on. Sort of a very simple process of elimination.
My mom gave me the children stories of the Bible. I memorized that book at the age of nine.
That's one of the many things about having the bookstore that I adore. I can walk into the store and say to somebody, "I'm glad you're reading this book" or "I'm glad you're getting this book" or "Don't get that book. I read that book and hated that book. Let's get you this book instead."
'Monkeys' is made up of nine short stories that tell an overall story. 'Folly' is a series of vignettes all put together to tell a larger story. In 'Lust and Other Stories,' there are nine stories - three, three, three; the beginnings of love, the middles, and the afters.
And I guess the thing that I really sort of rely on in me is that I love racing and I love competing and so I know that you know when the time comes and the pressure's on and I have to swim well, I'm sort of able to pull it out and sort of get the best out of myself.
There are certain things that I'll hear about and that I think will make a great book and I put it in a file. Sometimes it's a situation that interests me, and I don't even realize what I'm trying to say about it until I get closer to it. Sometimes the book after that I've written 125 pages of, and I can tell you what the book is after that. I just sort of have a linear progression, but more than anything, the topics land in your lap. I don't feel that I go out searching for them.
Comic book characters are characters who wear costumes. They're not necessarily different than other characters. The trend I think that you're seeing are comic book movies, at least the ones that Marvel makes, don't have comic book stories. They have dramatic human stories.
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