A Quote by Colm Toibin
The best thing about New York is working late into the night. At 1 in the morning on a Saturday, to be still working, there's an immense satisfaction in being enclosed by it.
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Working was a new thing; waking up early in the morning and going to bed late at night... But I’ve met a lot of nice people, I've been to New York, London, Paris. I like traveling. Now I cannot imagine my life without modeling.
I would roll out of bed and immediately start working, and keep working until it was so late at night that I couldn't stay awake anymore. Then I'd go to sleep and wake up the next morning and do the same thing all over again. I did that every day for three years.
I enjoyed living in New York City, I liked the premise of the show [Saturday Night Live], I liked working with a different host every week and different musicians. I always thought, "This is great. I never expected to get this in the first place, so I'm just happy being here."
I started going back and forth, New York, London, New York, London. I wasn't looking back at all. I was doing tons of jobs. Working, working, working, working.
I prefer a long day of starting in the morning over working late into the night.
Everyone who wants to make it in comedy goes to L.A., so a million comedians fight for time on three stages. If you get in there in New York, you're working eight times a night sometimes. Who's going to be funny, the guy who works once a week, or the guy working eight times a night?
Every time I see Trump on TV these days, I'm waiting for him to burst out, 'Live from New York, it's Saturday Night!' That would make sense to me - that this has all been one long 'Saturday Night Live' sketch.
I call you once...you never dialed back.
Twice...you never dialed back.
Saturday morning, live, I'm on Soul Train, talkin' to Don Cornelius.
Saturday night, my phone rings...
Saturday night, I won't answer.
Saturday night, my phone rings again...
Saturday night, I don't answer.
Getting married, for me, was the best thing I ever did. I was suddenly beset with an immense sense of release, that we have something more important than our separate selves, and that is the marriage. There's immense happiness that can come from working towards that.
I've had a lot of typewriters that I've had relationships with; one still has a piece of masking tape that says "$8" on it. I love working on them. I can't fix a computer or a car, but I can fix a typewriter. I like them because you can write on them late at night, depending on what you're fortifying yourself with, and the next morning you can still figure what you wrote.
Being in New York as a whole, Brooklyn as well, you can do anything you want. That's by far the best part about New York, besides just the hustle and grit and grind of Brooklyn specifically, but the best food. Anybody you want to get in contact with, odds are if they don't live in New York, they're passing through New York at some point in time.
A lot of my friends, when I was 14 or 15, they were all up and down, wanting to go out on a Friday night, and my dad had me working really late on Fridays and Saturday mornings and even on Sunday mornings. And when I'd finished all that, we used to spend the rest of the time talking about boxing.
I've always created solo work. When I first came to New York I was working in a few different areas; I was working as a drummer, a vocalist, an actor, and a dancer. I had gotten picked up more on the music side and that sort of went, and that's where I found my community in New York and that's the path that I went down.
When I moved to New York, I was waiting tables, painting in the daytime and working at night, and I felt it was possible to find a balance and just about get by.
About working with Marilyn Monroe.We got along very well. My only complaint about her was that she was late all the time, but she was late out of fear as much as anything else, but it was hard to sit around and wait. She was usually an hour or two late every morning.
There's just something about being a young, working class, working poor, person of color in New York City in the 80's that needs to be understood by people outside of that experience. The way I put it is that we created something really amazing, hip hop, when we weren't even supposed to survive.
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