A Quote by Colm Toibin
I live in words. I like looking at things, but I don't have a strong visual imagination.
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Imagination runs through the places where we live like water. We need both things-a living knowledge of the land and a live imagination of it and our place in it- if we are going to preserve it.
Wanderlust is not a passion for travel exactly, it’s something more animal and more fickle- more like lust. We don’t lust after very many things in life. We don’t need words like ‘worklust’ or ‘homemakinglust.’ But travel? The essayist Anatole Broyard put it perfectly: ‘Travel is like adultery: one is always tempted to be unfaithful to one’s own country. To have imagination is inevitably to be dissatisfied with where you live… in our wanderlust, we are lovers looking for consummation.’
Usually in theater, the visual repeats the verbal. The visual dwindles into decoration. But I think with my eyes. For me, the visual is not an afterthought, not an illustration of the text. If it says the same thing as the words, why look? The visual must be so compelling that a deaf man would sit though the performance fascinated.
When I'm looking for a strong female character, or a strong character at all, I'm looking for a character that has a purpose in that story, that has an interior life of some sort. They don't have to be physically strong; they don't have to be morally strong or ethically strong, because men and women come in a huge variety of all of those things. Emotionally, ethically - I'm less concerned with that. I just don't want them to be props. That's the only thing that offends me.
I like visual images and there are certainly other bands that have strong visual images going all the way back to Elvis Presley, but it's kind of like that's never really been my bag. Probably because I'm too shy.
I think strong rhetoric and strong action are two separate things. Anyone can use tough words. Anyone can go over the top and say things that sound strong. But sounding strong is not enough. You have to know exactly how you're going to do it. And if you look at some of the policies he's talked about, they would not make America stronger.
I've always been a very observant person, a visual person. That's my way of learning. Things on paper, notes and things like that, don't help me the same way as watching things live.
Words aren't very good at describing complicated, strange visual things. You can try, and the reader will have some sort of image in their mind, but words aren't good at that.
No matter where we live, we have to use words. Once you've been looking into words, their stories, it's easy to fall in love with them.
Henry Corbin creates the world - most of all his examination of the imagination and what the imagination was for him. Some philosophers would think of the imagination as a synthetic ability, how you put different things together. Artists more think of the imagination as creativity. So I really like the way that he presents the imagination as a faculty that allows one to experience worlds that are not exactly physical but are real nonetheless.
Well, I think my stand-up is often kind of visual. Not like Carrot Top visual, but visual.
Cinema is a visual language, and you're always looking for visual metaphors for things. You know, if I was writing a play about Howard Hughes, I could have him give a monologue about how he's terrified to touch a doorknob. But on screen, you know, working with Marty Scorsese in 'The Aviator,' that became the series of images that told a story.
My wife loves written words ... you know, words that stick to parchment and paper like dead flies, and it seems my father felt the same - but I want to hear words! Remember that when you are looking for the right words: You must ask yourself what they SOUND like! Glowing with passion, dark with sorrow, sweet with love, that's what I want. - Cosimo
When I got large enough to go to work, while employed I was reflecting on many things that would present themselves to my imagination; and whenever an opportunity occurred of looking at a book, when the school-children were getting their lessons, I would find many things that the fertility of my own imagination had depicted to me before.
It used to be a common saying of Myson's that men ought not to seek for things in words, but for words in things; for that things are not made on account of words but that words are put together for the sake of things.
Viewing our planet was so compelling. Words like beautiful and awesome just don't do it justice. I felt that I was looking at a paradise. I was looking at heaven. I can't imagine any place being more beautiful than our planet and how lucky we are to be able to live here.
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