A Quote by Colm Toibin
All writing is a form of manipulation, of course, but you realize that a plain sentence can actually do so much.
Related Quotes
Writing is linear and sequential; Sentence B must follow Sentence A, and Sentence C must follow Sentence B, and eventually you get to Sentence Z. The hard part of writing isn't the writing; it's the thinking. You can solve most of your writing problems if you stop after every sentence and ask: What does the reader need to know next?
For me, a play is a form of writing which isn't complete until it is interpreted by actors. But it's still a form of writing. And so most of my time is spent thinking about how to write a sentence.
Good writing is the hardest form of thinking. It involves the agony of turning profoundly difficult thoughts into lucid form, then forcing them into the tight-fitting uniform of language, making them visible and clear. If the writing is good, then the result seems effortless and inevitable. But when you want to say something life-changing or ineffable in a single sentence, you face both the limitations of the sentence itself and the extent of your own talent.
Writing for the page is only one form of writing for the eye. Wherever solemn inscriptions are put up in public places, there is a sense that the site and the occasion demand a form of writing which goes beyond plain informative prose. Each word is so valued that the letters forming it are seen as objects of solemn beauty.
A novel, basically, is writing one sentence — then, without violating the scope of the first one, writing the next sentence.
I don't generate a storyline and then fill it out in the course of writing. The story actually generates in the course of the writing. It's one of the reasons I've never been comfortable doing screenplays, because in order to get the contract for the screenplay, you have to sit down and tell them what's going to happen.
I have always believed that writing advertisements is the second most profitable form of writing. The first, of course, is ransom notes.
I spent my entire youth writing slowly with revisions and endless rehashing speculation and deleting and got so I was writing one sentence a day and the sentence had no FEELING. Goddamn it, FEELING is what I like in art, not CRAFTINESS and the hiding of feelings.
As an undergraduate, I took a theology course titled Religion as Writing. If writing can be considered a form of faith, then inevitably doubt has to accompany it.
One of the mistakes they often make is the designers over-accessorize or over-elaborate. So you realize: this would work if they removed X and Y. And actually, that's the sort of thing that translates into writing, because a lot of the time you realize, I feel I need to add something here but actually what I need to do is subtract. And then there's always the psychodrama and the tears and the rage and the feuds.
It's funny, but thinking back on it now, I realize that this particular point in time, as I stood there blinking in the deserted hall, was the one point at which I might have chosen to do something very much different from what I actually did. But of course I didn't see this crucial moment for what it actually was; I suppose we never do. Instead, I only yawned, and shook myself from the momentary daze that had come upon me, and went on my way down the stairs.
Of course there's conscious manipulation! Everything about a movie is manipulation ... If you like it, it's an interpretation. If you don't like it, it's a lie - but everything about these movies is a distortion."
Through death you find yourself, because you no longer identify with form. You realize you are not the form with which you had identified neither the physical nor the psychological form of "me". That form goes. It dissolves and who you are beyond form emerges through the opening where that form was. One could almost say that every form of life obscures God.
Sometimes, when you're writing sentence by sentence, you're not really sure what footprints you're going to fall into, or what ghosts might appear.
Human beings are distinguished by a capacity for experience as well as by their behavior, and homosexuality is as much a matter ofemotion as of genital manipulation.... As we each examine our own sense of identity we realize how much more complex is the question of homosexuality than a mere Kinsey-like computation of orgasms.
For many years I wanted to be a rock star but of course that didn't work out. I did however write on napkins and pieces of paper sentences and occurrences. I decided maybe I should write a book because I had been writing so much. I'm actually writing a book based on The Room that will hopefully be published soon.
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