A Quote by Colm Toibin

You create a world away from home and make new rooms for yourself. But when you arrive back home in your old rooms, the world you've made for yourself ceases to be real. Everything seems to crumble. Anyone who's been sent away to boarding school can understand that.
I was taken to a boarding school when I was four years old and taken away from my mother and my father, my grandparents, who I stayed with most of the time, and just abruptly taken away and then put into the boarding school, 300 miles away from our home.
Why can't you summon a command line and search your real-world home for 'Honda car keys,' and specify rooms in your house to search instead of folders or paths in your computer's home directory? It's a crippling design flaw in the real-world interface.
Theater dressing rooms are my home away from home - my second home, really.
Being sent away to boarding school at seven is as great an inspiration as any songwriter could have - to be taken away from one's family and locked away for 10 years. It does create an incredible intensity of emotion.
Now, in the sixties we were naive, like children. Everybody went back to their rooms and said 'We didn't get a wonderful world of just flowers and peace and happy chocolate, and it won't be just pretty and beautiful all the time,' and just like babies everyone went back to their rooms and sulked. 'We're going to stay in our rooms and play rock and roll and not do anything else, because the world's a nasty horrible place, because it didn't give us everything we cried for.' Right? Crying for it wasn't enough.
There are negatives in fighting away from home: you're not in front of your home fans, you don't have your home comforts, but I have travelled the world as an amateur and I have always managed to bring back medals. I enjoy it a little bit more when you're the underdog.
I'm a major feminist. There's a real politic in life, where I've been in rooms where real decisions are made, and it's a lot of powerful white men. There are women in those rooms, but not as many as there should be.
Home is behind, the world ahead, And there are many paths to tread Through shadows to the edge of night, Until the stars are all alight. Then world behind and home ahead, We'll wander back and home to bed. Mist and twilight, cloud and shade, Away shall fade! Away shall fade!
Modern death is a matter of bright rooms and hard machines. Live long enough, and you might be filed away in a nursing home, your history scoured away, your life winnowed down to a few items on the table and some pictures of people who don't come around enough. When you are about to pass on, there is no quiet to attend you: busy fuss and professional zeal strive to bring you back, nail you to the soft cross of the rented bed.
We exist because of suburbia. Suburbia is a freak’s dreamworld, a world of extra rooms upstairs and long, lazy afternoons with no interference. A place where you can listen to your LPs for hours on end. You can live in your room, your own rent-free corner of the universe, and create a world of pleasure and interest entirely centered on yourself and your interior aesthetic and logic.
There have been days where I've had two writers' rooms or three writers' rooms going, and you walk back and forth. And then you sort of throw yourself on the sofa, and you go, 'Just talk at me for, like, 20 minutes,' and my brain will catch up with this particular story. But I find that exciting.
I made the decision that I didn't want to spend my life in rooms and write about rooms, or else make books that are researched constructs. I think you do have to get out there and live it. Thriller and genre writers seem to understand this.
My son was about five or six months old, and he was ill, and I was sent to New York to interview three people back to back. I got home, and I saw my baby. He had been very ill, and he was on three kinds of antibiotics. I'd been away for eight days. I looked at him and thought, 'What am I doing? I'm a terrible mother and a terrible journalist.'
Short of finding a place on the witness protection programme, you don't get many opportunities to completely reinvent your life. Going to university changes that. Away from home, away from parents, away from anyone who remembers you from school, you can pretend to be far cooler and more experienced than you are.
This new world of personal media - the Web, the Internet and et cetera - not only delivers the world to your living rooms, but everywhere. And we get to answer back. And we're expected to answer back.
So, how do you get back to heaven? To begin with, just notice the thoughts that take you away from it. You don't have to believe everything your thoughts tell you. Just become familiar with the particular thoughts you use to deprive yourself of happiness. It may seem strange at first to get to know yourself in this way, but becoming familiar with your stressful thoughts will show you the way home to everything you need.
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