A Quote by Colm Toibin

It really matters to writers to find and treasure readers, all the more when they're on the other side of the world. — © Colm Toibin
It really matters to writers to find and treasure readers, all the more when they're on the other side of the world.
The treasure which you think not worth taking trouble and pains to find, this alone is the real treasure you are longing for all your life. The glittering treasure you are hunting for day and night lies buried on the other side of that hill yonder.
There's a double standard between writers and readers. Readers can be unfaithful to writers anytime they like, but writers must never ever be unfaithful to the readers.
To me, the solidarity of readers is far more important than the solidarity of writers, particularly since readers in fact find ways to connect over a book or books, whatever they may be.
I have a total responsibility to the reader. The reader has to trust me and never feel betrayed. There's a double standard between writers and readers. Readers can be unfaithful to writers anytime they like, but writers must never ever be unfaithful to the readers. And it's appropriate, because the writer is getting paid and the reader isn't.
The friend who cares makes it clear that whatever happens in the external world, being present to each other is what really matters. In fact, it matters more than pain, illness, or even death.
I want my books to exist in the literary world, not only in the art world. I am interested in having a dialogue with other writers, and the readers of those writers. Someone who is reading a book of mine might not have visited my exhibitions related to it, but can still have a full, literary experience with that book. This would be a completely different experience from stepping into the show, not having read the book. One form is not illustrative of the other.
Science fiction writers create all sorts of futures - that comes with the job. But it's not the type that matters - hopeful or dark - it's the variety we see as readers. It's nurturing the imaginations of those who will go on to create the world around us.
Pastors and missionaries (need) to know God and to find in him a Treasure more satisfying than any other person or thing or relationship or experience or accomplishment in the world.
After a devastating loss, your whole perspective shifts, and you're kind of in a blank space. You feel like on one side nothing matters, and on the other side a freedom because nothing matters.
Whatever solidarity I have established with other writers individually, it is usually organized around books. We connected as readers, as it were, not writers.
I think it's more honest, true to life, to write about serious matters. And also not to do something that's gentle. I like to put, ideally, belly laughs on one side, and really serious moments on the other. So they kind of come up against each other.
What crime writers are doing connects deeper into a cultural hunger. Crime is important. When you open up a book that has a body that's dead, that matters. It matters more than a certain level of suburban angst; it really does.
I do have the feeling that other writers can't help you with writing. I've gone to writers' conferences and writers' sessions and writers' clinics, and the more I see of them, the more I'm sure it's the wrong direction. It isn't the place where you learn to write.
I am persuaded that foolish writers and foolish readers are created for each other; and that fortune provides readers as she does mates for ugly women.
The danger that may really threaten (crime fiction) is that soon there will be more writers than readers.
The danger that may really threaten (crime fiction) is that soon there will be more writers than readers
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