A Quote by Colm Wilkinson
As a journeyman singer, I have to go to where the work is.
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I'm a journeyman actor. My experience as a journeyman actor is that you have to go where the work is. I've never been the lead; I've never been in that position.
I went to university and studied English literature, and I forgot about music. I was gonna be a journalist. But then I decided to try and be a backing singer, and my mum was like, "Go for it." If that didn't work, I was gonna go to law school. I was just being boringly sensible; trying to be a singer felt a bit indulgent.
The idea of a journeyman actor, people sort of say negatively - "Someone who never made it for real" - [but] I think a journeyman actor is the complete goal.
I always wanted to be a journeyman actor. I wanted to be able to do comedy and drama, classical and contemporary. I like to do film and theater. And I pride myself on that diversity of being a journeyman actor.
I wouldn't call myself an actor or a singer for that matter, just a journeyman. [...] I feel I must have a talent somewhere for doing something but I'm still not terribly sure what it is. I suppose it's a talent for being myself.
Apprentice is the beginner - the first years you work in a craft in the European sense you are an apprentice. That takes 3 or 4 years. Then you are a journeyman. You can go from one master to another and learn other tricks and other secrets.
If you are a soul singer, you are a soul singer. If you are a heavy metal singer, then you are a heavy metal singer. What's color got to do with it? I don't go around thinking, 'I sing soul music and I'm white.' I just sing the way I feel.
For me, the singer is actually the most important element. When I work with someone, it all comes down to whether I like the singer or not.
Artie is a singer, and I'm a writer and player and a singer. We didn't work together on a creative level and prepare the songs. I did that.
I've had a tremendous career and I get more phone calls from people who've been on 'X Factor' asking how they get on the ships. The ships are a very lucrative job for any singer and I would advise any singer to go and work on them and try it for a while. If you are not good enough, you will not get on.
When I finally put my guitar in the case the last time, I want to be remembered just as a singer, not as a country singer or pops singer - just a singer.
I think of myself as a journeyman actor. I've got some talent and I work hard, but people like Brando or Pacino - those people are touched by God.
'Sabotage' was an opportunity. That was journeyman work, but the irony is I learned more off that movie on what filmmaking is and isn't than everything else combined. A lot of lessons, and it will impact me for the rest of my career.
I definitely always wanted to be a singer and a performer. I think I got it from my parents because my dad's a singer and my mom's a singer, so it kind of runs in the family and I just thought it was normal.
I really thought I wanted to be a musical-comedy star, but I lived in Phoenix and didn't want to go all the way to New York and be that far away from home. So I thought maybe I'd be a rock 'n' roll singer or an opera singer.
No, I never thought of it in those terms. I used to go into agents' offices and they'd have pictures of these handsome movie men and I knew I'd never be up there. I'm a journeyman actor. I didn't think about stardom.
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