A Quote by Colman Domingo

To a certain extent, just like my children, I nurture my writing until the point when it has to get out and face the outside world, where it takes on a life of its own. That is a purpose of any artist and their art.
When you write comic books and when you are writing for television, you're not writing the end product, you are writing notes for someone else to make the end product essentially. My scripts are just directions for the artist to draw pages and the pages are what is seen. I kind of feel like it's a safety net, you're able to hide behind the art to a certain extent, and in television you're able to hide behind the actors and the production, but with novels, your words are it
Art for art's sake, with no purpose, for any purpose perverts art. But art achieves a purpose which is not its own. (1804)
To me, James Harden is like basketball's Picasso - he's an artist whose work you respect, even if you don't always understand its significance until later. (Or maybe Van Gogh or some other artist - I'm not an art history buff, but you get my point).
Sometimes I feel like art is supposed to mirror life, but strangely it's as if art is trying to catch up to life, to a certain extent?
Never give up! Keep practicing - it's the only way to get better. But don't lose sight of the outside world. As an artist, you have to connect with the world around you, or you've got nothing to inspire you. Learn from everything and everyone, good or bad. It's just as important to learn what not to do, as well as what to do, in art, in life.
A Child of Happiness always seems like an old soul living in a new body, and her face is very serious until she smiles, and then the sun lights up the world. ... Children of Happiness always look not quite the same as other children. They have strong, straight legs and walk with purpose. They laugh as do all children, and they play as do all children, they talk child talk as do all children, but they are different, they are blessed, they are special, they are sacred.
It often feels like a tremendous amount of work is required to get an idea moving forward, like pushing a train uphill. But at a certain point, the thing takes on its own momentum, and takes unexpected turns. So it's that feeling of holding on, rather than pushing it, that is the most exciting thing. It's that need to occasionally bounce off the walls, letting anything happen for any reason, and having nothing to guide you that is the joy.
We are talking about an artist; and for the enjoyment of the artist the mask must be to some extent moulded on the face. What he makes outside him must correspond to something inside him; he can only make his effects out of some of the materials of his soul.
A lot of times, I think that what I do for a living has no integrity. 'Once Upon A Time' has changed that to a certain extent because the reaction we get from children out in the world is so fulfilling, I cannot even articulate it. There's nothing like being greeted as Snow White by a hyperventilating child versus Ginnifer Goodwin.
It's pretty obvious there's a lot of corruption in the world right now. That takes many forms. There's economic, political, religious, social corruption. Just the manipulation that takes place with all the information that people are given, and even just the way the world is presented as this concrete block, this concrete idea that there's not really an alternative at this point in the world. You can't really go off and live your own life off in your own world.
My instinct tells me "purpose" is maybe the enemy of a good personal essay. In my own experience, I'm always lost and wandering and searching - where am I? how'd I get in this mess? what's the point? - right through to the final draft, and sometimes even beyond that - baffled and defeated still, confused as to purpose long after the thing's in print. I never really have a guiding purpose or a point, not at the outset, anyway. It's like life: It's all discovered en route.
The purpose of man is like the purpose of a pollywog - to wiggle along as far as he can without dying; or, to hang to life until death takes him.
There are filmmakers like me in different parts of the world that have a story they want to tell, and it's a story that comes out of a certain historical reality within their own life. Then you get committed all the way and however long it takes, stay very committed.
I've never had a mentor personally of any kind. It feels like, generally, in the writing world or the art world, it's more of a thing in America, because you have writing programs, which we don't have. You have these amazing writers who are teachers. I never did a writing program so I never met a writer until I was published. I guess I can't really explain my compulsion for writing these kind of mentor characters.
Do you suppose you will look the same when you are an old woman as you do now? Most folk have three faces—the face they get when they’re children, the face they own when they’re grown, and the face they’ve earned when they’re old. But when you live as long as I have, you get many more. I look nothing like I did when I was a wee thing of thirteen. You get the face you build your whole life, with work and loving and grieving and laughing and frowning.
It is never until one realizes that one means something to others that one feels there is any point or purpose in one's own existence.
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