A Quote by Colman Domingo
My mother sent me to speech classes, but the other kids still teased me. I was shy. I stooped. Instead of talking, I kept journals. That's where my love of words comes from. I majored in journalism.
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My mother sent me to art classes at the age of 11. I began to have kids around me say, 'Will you make drawings for me? Will you make a painting for me?' And it really clicked.
My mother really didn't come from artists. Her famous quote to me was, "The only artists I've ever heard of are dead." The pottery classes were meant to be a part of my overall uplift. I knew what it meant to be sent to art classes, but I still didn't know anything about being an artist.
We are cutting things kids like-music, art, and gym classes; stuff that kept me in school. This country can't survive without you kids. It's all about you kids.
I would say I am at peace with the mystery of my mother's journals. Of course, I will always wonder, but isn't that the creative tension of living with uncertainty? By leaving me her empty journals, my mother has made herself very present.
I think talking about one's love life is always... It's a Pandora's box, best kept in journals.
There's this certain caliber of dancing I was striving for when I was younger, and it's very hard for me to go back and just do it for fun. But I take all other kinds of classes: I take jazz classes, modern classes, and I love doing that instead of going to the gym. The gym is not very much fun.
I was shy talking about certain things, and I was shy with being honest because I didn't want people to judge me talking about fatherhood and how somebody should have my child around me.
I paid for my name a lot when I was growing up because other kids teased me.
I was a journalism major, and I would take creative writing classes as part of that, but I would also look for opportunities to write stories for some of my other classes. So for my course in Scandinavian history, I asked if I could write historical fiction instead of term papers. Sometimes they’d say yes.
I started in dance classes when I was, like, seven years old. And the arts in general, it kept me not only off the street, I grew up in South Central Los Angeles, so it kept my mind focused. It kept me passionate about something. So I wasn't easily distracted.
For me, I used to be shy towards journalism because it wasn't poetry. And then I realized that the events that I covered in essays that became journalism were actually great because they inspired me, and they became my muse.
I was really grateful for the photography classes, the art classes, and the video classes. They would let me skip all my other classes and stay and work on my projects.
Kids chase the love that eludes them, and for me, that was my father's love. He kept it tucked away, like papers in a briefcase. And I kept trying to get in there.
My mother was working on her college degree throughout my childhood, and being the youngest in the family, that meant being dragged to a lot of her classes. She majored in playwriting, so I was exposed to theatre from a very young age, and it was just the most magical world to me.
My mother sent me to dance and drama classes when I was young, and then I got a stage role in 'Set To Partners' when I was 12, followed by Benjamin Britten's 'Let's Make An Opera.'
Some kids would deliberately knock shoulders with me while passing by. Students from other classes would then put trash all over my seat, and the kids in my class would try to clean it up for me.
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