A Quote by Colman Domingo

I am proud being an artist who takes risks, who would walk off a cliff artistically. I won't settle for commercial reasons. — © Colman Domingo
I am proud being an artist who takes risks, who would walk off a cliff artistically. I won't settle for commercial reasons.
But don’t let them talk you into anything you don’t feel comfortable with.” “They’re my friends.” “So what?” He shrugged. “If your friends walked off a cliff, would you do it too?” “Why would they walk off a cliff?” I asked in alarm. “Is someone having problems at home?
The real risks for any artist are taken in pushing the work to the limits of what is possible, in the attempt to increase the sum of what it is possible to think. Books become good when they go to this edge and risk falling over it -when they endanger the artist by reason of what he has, or has not, artistically dared.
If people are constantly falling off a cliff, you could place ambulances under the cliff or build a fence on the top of the cliff. We are placing all too many ambulances under the cliff.
I am proud to call myself a Hindu, I am proud that I am one of your unworthy servants. I am proud that I am a countryman of yours, you the descendants of the sages, you the descendants of the most glorious Rishis the world ever saw. Therefore have faith in yourselves, be proud of your ancestors, instead of being ashamed of them.
Maybe that's the problem. But whether they've heard it of not. The issue is the train that is going off the cliff. After we save the country, after we keep the train from going off the cliff, I would welcome, quite frankly, a discussion of morality in this country. I think it would be a wonderful thing if we bring back our Judeo-Christian values once again. I think it could do nothing but help us. I would be all in favor of that.
The reason why I'm not a pop star is I would have hated it. I'll stick to being an artist. I'm not trying not to be commercial; I am just doing what I do. I have finely tuned tastes, and that gets prioritized above everything else. That's just how it is.
It's tough to know who's better in cliff diving. Like, you see a guy diving off a cliff and you go, Oh, man, a guy diving off a cliff! And then another guy'd dive- Oh, there's another guy diving off a cliff there. But you can't tell who's better, y'know? Like, uh- if you survive at all, hey, you're a great- you're a great cliff diver there. There's only two classifications in cliffdiving. There's, uh- 'Grand Champion' and then, uh- 'Stuff On a Rock.' Very hard to make a comeback in that sport, I'll tell you that.
Acting without knowing takes you right off the cliff.
Through what I have witnessed and documented, with proper interventions you can break those cycles. When I made the first film on this subject, 'Paper Tigers,' kids were going off the cliff. But then there was intervention, and they won't go off the cliff.
When you jump off a cliff, is it better to land on jagged rocks or burning lava? I know this one. The answer is obvious: It doesn't matter where you land. You just jumped off a cliff.
An artist should be taking risks. That's the whole idea of being an artist.
It's no accident that Julia Child appeared on public television - or educational television, as it used to be called. On a commercial network, a program that actually inspired viewers to get off the couch and spend an hour cooking a meal would be a commercial disaster, for it would mean they were turning off the television to do something else.
I am a commercial artist because I paint to earn a living. We who earn money from what we produce are all commercial artists.
I jumped off a cliff backwards for 'I Am Number Four,' which was pretty cool. I'd never done that before. It took seven takes from different angles and luckily there were no injuries. I came close, though. My head nearly hit the rock at one point.
I do think that's one of the reasons that acting appealed to me so much: the idea of letting go of control in a controlled environment. Being able to go through the range of intense emotions and jump off the cliff, metaphorically, but in a creative way, and in a way where the structure was really solid.
I felt landscapes would sell more readily, and not being equipped psychologically to be a teacher or commercial artist, that was important.
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