A Quote by Colson Whitehead
'Zone One' comes out of me trying to work through some of my ideas about why, for me personally, zombies are scary.
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The readership for 'Sag Harbor' was different from people who'd read me before - it was linear and realistic, not as strange as 'The Intuitionist.' Did they carry over to 'Zone One,' a story about zombies in New York? Some, some not. I'm used to people not caring about my other books.
Everybody who plays top-level sport, whether it's golf or football, or whatever, needs to get into 'The Zone'... For me personally, on the morning of a round, preparation is always about getting into the zone. The less I communicate with other people, the better. I'm trying to rehearse in my mind what I am working on in my game: going through my swing keys, going through my putting keys. When I get to the course I get the pin positions for the day and I'll analyze those. I'll make a strategy for the golf course and look how I'm going to play it
That's the thing about zombies. They don't adapt and they don't think. Literally, you could have a zombie on one side of a chain link fence and you could be on the other side and they could be trying to get to you and six feet down could be an open door and they will not go through that door in the fence. That's why they're so scary.
To me, the zombies have always just been zombies. They've always been a cigar. When I first made 'Night of the Living Dead,' it got analyzed and overanalyzed way out of proportion. The zombies were written about as if they represented Nixon's Silent Majority or whatever. But I never thought about it that way.
Because You have called me here not to wear a label by which I can recognize myself and place myself in some kind of a category. You do not want me to be thinking about what I am, but about what You are. Or rather, You do not even want me to be thinking about anything much: for You would raise me above the level of thought. And if I am always trying to figure out what I am and where I am and why I am, how will that work be done?
Zombies aren't about zombies. It's not about the dead bodies. I think it's a very hopeful subgenre. It says that regardless of what happens, humanity will get through it. We'll figure out a way to survive.
It's just a continuous process, trying to work through it, trying find that comfort zone and go from there. That's kind of where I'm at. I feel pretty good about where I'm at.
I turned down Halloween parties every year, where people wanted zombies raised at the stroke of midnight or some such nonsense. The scarier my reputation got, the more people wanted me to come be scary for them. I'd told Bert I could always go and threaten to shoot all the partygoers, that'd be scary. Bert had not been amused. But he had stopped asking me to do parties.
I know my idea of beauty isn't what most people's is, and the fact that I'm getting the opportunity to show my beauty and work with incredible photographers that actually take me out of my comfort zone and allow me to see myself through their work in a different way - it's a real honor.
At this point, I'm just grinding through it, trying to establish strikes in the zone with my pitches, using some information the opposition gives me, and kind of moving forward in that regard.
In my work, you get used to criticisms. Of course you do, because there are a lot of people trying to get you down, but I always cheer up immensely if one is particularly wounding because I think well, if they attack one personally, it means they have not a single political argument left. That is why my father always taught me: never worry about anyone who attacks you personally; it means their arguments carry no weight and they know it.
Zombies are so popular. There's a lot of chaff out there. For every one person who is legitimately passionate about zombies, there are a hundred people who are thinking, 'Hey, I can make a buck off of this.' The problem is that some of their stuff is so lame.
People can have so many ill-conceived ideas about me based on the parts that I play. I've had guys, when I've been single, come out of the woodwork to date me and I've found out very quickly that they were expecting some kind of whirlwind, some dramatic crazy person - and that's just not me.
When I started writing, there was nothing about zombies. It was all teen movies, which to me are scarier than zombies, but that's another story.
We've done a zombie episode - only one - and the way we look at it as is we understand that there probably aren't zombies out there for real, but there's a lot of interesting stuff we can test about them. We've tested how bodies of zombies pressing against a gate, would they push it through and things like that.
As I go through life, I can see why my mother directed me that way, or why my father counseled me in that way. But some things you're open to when you're young, and some things you need to find out for yourself. I think that that's pretty universal.
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