A Quote by Colson Whitehead

Monsters are a storytelling tool, like domestic realism and close third. — © Colson Whitehead
Monsters are a storytelling tool, like domestic realism and close third.
I enjoy a third act, and I like stories with ending. A lot of my frustration with serialized storytelling is a lot of shows don't have a third act. They have an endless second act, and then they find out it's their last year and often have to hustle to invent a third act, but they were never necessarily organically meaning to begin with.
I like monsters in general - that's what I like to write about. Somebody was joking with me that my body was becoming a manual for a role-playing game because I'm covered in little monsters. That's true. I could easily have more monsters on my skin.
The living always think that monsters roar and gnash their teeth. But I've seen that real monsters can be friendly; they can smile, and they can say please and thank you like everyone else. Real monsters can appear to be kind. Sometimes they can be inside us.
Domestic realism has dominated the American marketplace for decades now. It leeches into literary fiction, and I don't think it's that rich a vein.
I gravitate much more toward realism, realism in the work that I do, but magical realism got me hooked on film. I think it was my first time realizing that there was something besides popcorn movies.
All I want to do is realism and follow the tradition of realism. And explore what realism should be now be after the ubiquity of smartphones. I'm trying to answer the question. I don't think I'll ever have the words, but hopefully I'll have a few images.
There's no excuse for domestic violence. It sounds like a challenge. I mean, does everything have to be so black-and-white in this kindergarten country of ours? What if you come home from a long day at work and your wife has drowned two of your kids - she's about to dunk the third one. Can you run over and pop her then? Unfortunately no, there's no excuse. You're going to have to let her drown that third one.
We like mature storytelling. We like dramatic storytelling. We like intense storytelling.
One of my favorite things about hanging out with the monsters is the healing. Straight humans seemed to get killed on me a lot. Monsters survived. Let's hear it for the monsters.
Reading is like breathing in and writing is like breathing out, and storytelling is what links both: it is the soul of literacy. The most powerful tool that we have to strengthen literacy is often the most underused and overlooked, and that is a child's own stories.
Men really need sea-monsters in their personal oceans. An ocean without its unnamed monsters would be like a completely dreamless sleep.
Monsters cannot be announced. One cannot say: 'Here are our monsters,' without immediately turning the monsters into pets.
Watergate was a third-rate burglary. It was purely domestic in nature.
As a young writer, I was sort of sailing around trying to 'find my voice' - for lack of a better term - and I was really chafing against the very minimal brand of domestic realism that I'd read so much of in college.
Transparency is key to reciprocal accountability, which we use to be both free and smart. It is the miracle tool that enables us to question the lies of monsters.
I like to say, 'I spend one-third of my time in Nigeria, one-third in Europe or America, and one-third on a plane.'
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