A Quote by Colson Whitehead
I'm raising kids, and so much of American culture sustains me and gives me things to think about and work on.
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I think I'm much more afraid of making a mistake in raising my daughters than I would be with any work that I do, as an actor. It's a much higher scale of fear, raising kids.
My mom, she had a challenging job raising three kids on her own and having to work at the same time, you know that shows me a lot. It shows me how hard she worked, how much she cared about us and I want to do the same thing for my kids.
I moved here when I was 20 to go to college. After I moved here, I became much more aware of the importance of the culture and literature to my life. Sometimes when you're immersed in something, you just don't notice it very much. Moving away makes you appreciate your culture. Living here, I've thought more and more about India, and what being Indian-American means to me. And it's made me incorporate things from Indian literature into my own writing.
Especially with me working in the entertainment industry, I think my kids are aware of weight and fat much earlier than other kids. It was important to me from the beginning to make sure they understand things like why too much sugar is bad for you, etc.
I'm not somebody who gets teared up or anything, but I still look up at the stars, and it gives me hope, and it gives me energy. I think one of the things that we have to think about it is, we are all a part of this universe.
Do I worry about being in the public eye and raising kids? Yeah. Any situation you're in, you're gonna worry about raising kids. But it's champagne problems, too. There are people who can't feed their kids.
The way I was grew up gave me a slight fearlessness and a sense of independence. There are things about it that have definitely informed me. And then, as a parent, it's done the opposite. It's made me feel much more protective. There are boundaries in my kids' lives that I don't think I had.
Being a photographer helps me see the work differently. I always walk away seeing things differently than when I stare at them myself. It gives me a little distance. So I love photography, but it also helps me tell the story. When I shoot the ad campaign for my work, it allows me to be much more direct.
There's something I have about being Canadian - there's a distance it gives you when you live in the States and operate in American culture. You approach familiar things a different way; you come at it from a different angle. It's a trait that runs through a lot Canadian artists' work and actors' work and musicians' - that kind of special remove.
I think a lot of American fans or people that read about us - they think that we're trying to be a part of the American culture, like all these Swedish kids that love America. We rap in English, so I guess there's something, but we're very Swedish, actually.
Codi: Gives you the willies, doesn't it? The thought of raising kids in a place where the front yard ends in a two-hundred-foot drop? [referring to cliff dwellings] Loyd: No worse than raising up kids where the front yard ends in a freeway.
Explain to me what Italian-American culture is. We've been here 100 years. Isn't Italian-American culture American culture? That's because we're so diverse, in terms of intermarriage.
There is a certain amount of righteous indignation I hold for the American culture, because to get back to the real root of it, to get broader about it, my opinion that is my species - and my culture in America specifically - have let me down and betrayed me. I think this species had great, great promise, with this great upper brain that we have, and I think we squandered it on God and Mammon. And I think this culture of ours has such promise, with the promise of real, true freedom, and then everyone has been shackled by ownership and possessions and acquisition and status and power.
I get so much out of being married and raising my kids - that's really important to me.
I think too much is known about me already. I think biographical information can get in the way of the reading experience. The interchange between the reader and the work. For example, I know far too much about Norman Mailer and Kurt Vonnegut. Because I know as much as I do about their personal lives, I can't read their work without this interjecting itself. So if I had it to do over, I'd probably go the way of J.D. Salinger or Thomas Pynchon. And just stay out of it altogether and let all the focus be on the work itself and not on me.
My father couldn't speak English when he went to the first grade and I had to work in a factory over Christmas and summer vacations. And I think that's the American way and one of the things that excites me about this race is that pretty much everything I've done I've started at the bottom and been able to finish at the top.
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