A Quote by Colson Whitehead
I never actually went anywhere when I was a journalist. I was a critic, and I just sort of got stuff in the mail and chatted about it.
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I was never a true journalist, I was a movie critic.
I haven't got any fan mail from Osama bin Laden. I have no reason to believe he reads my stuff I'll never decide for commercial reasons to put something in that endangers our national security. You just can't do that.
I don't get up and look at e-mail. I don't even know my e-mail address. I needed one just to have a computer put on. But I never, ever even thought of going to it. It's just not what I'm about. I just don't want to waste my life with it. It's just too much; I think people are just a little too absorbed in all of that.
If you think about what the Postal Service fundamentally does, those guys are trained to get mail and sort mail - there's trust verification.
The way I try to explain it the best is that if Critic A from publication A hates our show, and Critic B from publication B loves our show, what are we supposed to do with that? We have to just respect everyone's opinions and go on making the show we want to make. I've never worked on a show that was altered by critical reception. You just can't afford to do that. So in that regard, it's actually no different that working in theater. It's just a lot more voices.
I think people got in touch with me either knowing my work, or probably more frequently just knowing a plot or sort of buzz about something I did and sort of saying, "Get that guy that writes the crazy stuff in here."
I had my daughter by C-section, so knew when and where she was going to be born. I got freakishly organized and prepared a group e-mail birth announcement. Unfortunately, I accidentally pressed Send All. I then had to send another e-mail saying, "I'm really sorry but I haven't actually had the baby yet." Then, when I actually did have the baby, I felt too embarrassed to send another e-mail saying, "I've definitely had the baby now."
I began to read [Bible] as a critic, an in-house critic. So I got to a place where when I got to the university, I just couldn't reconcile that book and some of its points of view with stuff I was learning in my academic career. And so then you have a choice: either you give up your academic career and close your mind and become a constant fundamentalist, or you give up your religion and become a citizen of the modern world and get a modern education, or just spend the rest of your life balancing the two things together, forcing them into a dialogue.
Interviewing Rei Kawakubo in Tokyo and John Galliano in Paris, both for 'Pop' magazine, were huge for me, not just in learning about fashion and writing but about how little desire I had to be a critic/reporter/journalist/commentator so much as a kind of travel diarist.
A lotta stuff has been written about me that I never said. Stories that were lies. One guy wrote that young as I was during World War II, I actually got a rifle and fought off the Germans. Which is ridiculous, insane. I was just six.
I think it's good for the fans, as well, because they get to connect with you directly. You know, in the old days, if I wanted to, like, write to (Steven) Spielberg or Sam Raimi or whatever, I'm not sure I could actually write a fan mail and (I'd) have no idea where to actually send it. Nowadays, you can just, like, follow Ashton (Kutcher who still has among the most followers on Twitter) or, like, friend someone, you know, on Facebook, and you can actually just say, "Hey, I like your stuff."
I think we're all actors. There's this friend of mine who's a great drummer, and he said, "I never thought I'd be a drummer, but I got really good at it. I always feel like I'm an actor playing the drums." His real calling was that he was going to be a magician. That's what he felt like he wanted to do. If you decide to act like a journalist, you'll probably be a better journalist than just being a journalist. What you're doing is, you're taking the executive role and stepping outside yourself so that you're able to make more objective decisions.
I was young, but to me that was underground music. I had never heard anything like Venom or any of that stuff growing up in Louisville. That was sort of the only weird records I could find. All that stuff would be in the import section. And sometimes there would be some sort of goth type of stuff. But that was the stuff I was attracted to.
When I'm out and about, I never get chatted up by women in an obvious way.
I'm not a critic, I'm not there to tell people what they should think about something - I just want to kind of enthuse about stuff to let people make their own mind up about it.
A friend of mine told me a bunch of stuff on Buddhism and about Avicii being the lowest level of Buddhist hell, and it just sort of got stuck in my head. Later on when I went to setup a MySpace, I tried a bunch of names and they were all taken so I just kind of ended up with Avicii and then I got really attached to it.
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