A Quote by Colson Whitehead
I like questions that tee me up to make weird jokes, frankly.
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You are so vicious. (Tee) Hence the nickname. (Syd) You know it’s bad when you make me look like Glinda the Good Witch, right? (Tee) Just call me Elphaba. But don’t drop a house on me, ‘kay? (Syd)
I like sort of esoteric and weird Twitter jokes. But I actually unfollow people if they make jokes about a celebrity's death within the first two minutes of that celebrity dying.
I don't tend to like race jokes. I don't like Jew jokes and black jokes, and they make me very uncomfortable, probably because I'm both. Well, I'm not black - but if I was then I could dance better.
In comedy, I often see so many weird race jokes, and it's like, there is no racial diversity in your show to even make those race jokes. The problem is that there is no one in the back to say, 'Hey, that race joke is not really appropriate.'
And writing comedy and it really taught me how to kind of like craft jokes, it sounds like weird but really focus on crafting jokes and trying to make the writing really sharp. At the same time I did improv comedy in college, and that helped with understanding the performance aspect of comedy, you know, because it's different when you improv something vs. when you write it and they're both kind of part of my process now.
I love practical jokes and humor. That there's frankly no joke that I don't think is funny. I love practical jokes, but I don't like being scared.
In the bathroom, having taken my make-up off and opened my eyes, I always think there's a ghost behind me. It feels like there's a weird presence. Maybe it's my brain reacting to me without make-up.
I could get you to smile like that, and without sales tax." I whirled around to find the real Patch standing in the fitting room behind me. He was wearing jeans and a snug white tee. His arms were folded loosely over his chest, and his black eyes smiled down at me. Heat that wasn't entirely uncomfortable flushed through my body. "I could make all kinds of pervert jokes right now," I quipped.
But just like I've always said when people complain about tee times, 'I just want a tee time. Just give me one so I can play.
But just like I've always said when people complain about tee times, 'I just want a tee time. Just give me one so I can play.'
We don’t want civilians walking around who know about us. Got it? (Tee) Wow, you’re like a ferocious bunny, aren’t you? (Nathan) Worse. A bunny can be fluffy sometimes. Tee always goes for the throat. Trust me. I’m her partner and she’s shot me three times now. (Joe)
You’re such a crybaby. (Tee) Let me almost shoot off one of your testicles and see how you cope. (Joe) You shouldn’t have moved, Joe. It was your fault. (Tee) Yeah, everything’s my fault. (Joe) Good, then we agree. (Tee)
I am absolutely okay with jokes on me now, but initially, yes, I was perturbed ki why me? I am not a personality on whom jokes are made randomly. Later, I was like, if everyone is enjoying jokes on me, even I should laugh it off instead of opposing them.
It's always interesting to me when one platform of media crosses into another. We've been on the Terry Gross show Fresh Air a couple of times, and I suddenly felt like we could actually represent ourselves as exactly who we are, in this sort of ultra-vivid way. But the weird thing to me is that the questions she asks are in some ways no different than the questions the guy from the high-school paper asks. She might even ask us where we got our name. But something about it, it's like the pH balance of the trajectory of the questions. Maybe it's just her voice.
What really surprised me was how strange my paintings are anyway. To me, it's like, "Let's paint some portraits and some objects. Don't make it weird, just make it dead straight," but it's still weird. I don't know why. I guess it's just the way I see things.
I don't like a tormented photograph. Something attracts you in them, but the attraction isn't because she has a pot on her head or tonnes of make-up and weird clothes and weird everything.
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