A Quote by Colton Dixon

On stage I'm basically spiritually feeding all of these people in the audience, and making sure they're encouraged to connect with God. — © Colton Dixon
On stage I'm basically spiritually feeding all of these people in the audience, and making sure they're encouraged to connect with God.
On stage I try to be as spontaneous as possible, feeding off the energy of the audience. I just let myself be and have fun on stage.
Making sure every child can read, making sure that we encourage faith-based organizations ... when it comes to helping neighbors in need, making sure that our neighborhoods are safe, making sure that the state of Texas recognizes that people from all walks of life have got a shot at the Texas dream but, most importantly, making sure that government is not the answer to people's problems.
Leadership has to be focused on some very radical ideas that only we as 21st Century people can talk about: making sure people have a livelihood, making sure people receive a living wage, making sure the environment, the Mother Earth, is embraced and cherished and not destroyed. Making sure people are healthy in what they eat, making sure we hold people and corporations accountable for the damage they do not only to our environment but to our institutions.
Family farmers are victims of public policy that gives preference to feeding animals over feeding people. This has encouraged the cheap grain policy of this nation and has made the beef cartel the biggest hog at the trough.
Normally classical music is set up so you have professionals on a stage and a bunch of audience - it's us versus them. You spend your entire time as an audience member looking at the back of the conductor so you're already aware of a certain kind of hierarchy when you are there: there are people who can do it, who are on stage, and you aren't on stage so you can't do it. There's also a conductor who is telling the people who are onstage exactly what to do and when to do it and so you know that person is more important than the people on stage.
My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
My biggest problem with organized religion is that God has been imagined as a human being with emotions. I feel if you let go of that, then it's possible to see God as a force, to connect to him or her spiritually.
One have our biggest challenges if making sure that we are staying true to the mission that we feel called to do, which is writing songs for the church and helping the church connect with God. While the global ministry grows and the influence has been blessed in an amazing way, we are really conscious about staying focused on the families that come into our church every weekend and making sure that we're meeting their needs for whatever season they're in.
Leadership means making sure that people are adequately skilled, making sure people are earning a living wage, making sure people have access to resources. That's not sexy, it doesn't sound great at a rally or a forum, but that is actually the work that it will take to change cities. We know that.
As an artist who performs on the stage, I try to express my feelings and convey my inner thoughts through the looks I give the audience. So, I tend to focus on making sure that my makeup highlights my eyes properly.
There is something about the stage that makes it so much better than being in the studio. I always connect with my audience; a concert to me is a collaboration between me and the audience, and I love it so much.
Somebody has to be on stage, and some people have to be in the audience. That's the only difference. Don't put any thought as to why you are on the stage or how you need to be 'better' than the people in the audience. You aren't better. You're simply the speaker.
I started very early. I started to be interested in design when I was 14 years old, basically, and before I was just like anybody else, any other kid. I was playing with everything. I loved to do stage sets by cutting a piece of board and making a cut in three sides, flipping it down, making the stage.
I'm manipulating the audience. I'm making sure people sympathize.
You know I think so many of us live outside our bodies. My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
I love people who are fearless, and I'm a spiritual guy, so I connect with people spiritually.
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