A Quote by Colum McCann
A lot of people think that writers are much cleverer than they actually are. No, they're not. But they're emotionally clever, and they go into a character, and they feel something that they weren't entirely aware of beforehand.
Related Quotes
I don't think I change, but it definitely makes me aware of some of the things that are inside of me. Actually, because I have played a lot of villains up until now, I put something of myself into these roles. So when I see myself on the screen I'm more aware of when I'm like them in real life. I can feel it. That's the character you play; that's the guy you don't want to be. So I'm more in control of it.
If I write a paragraph and I don't get a certain lift from it, if I don't feel connected to it emotionally, then it's dead to me. When I'm reading other fiction writers, if I don't get any emotional investment from the writer, if it's just intellectual or clever - you know, most writing that passes as deep is just clever - I don't feel any connection.
[Bong Joon-ho'] is quite different but technically, he is as clever as [Alfred] Hitchcock. That's saying something. In humanitarian terms, I think he is much cleverer. He is one of the best directors I've worked with. I absolutely adore working with him.
I love hearing details of writers' craft, as cannibals eat the brains of clever men to get cleverer.
One of my favorite things about the Kung Fu Panda 3 is the look of it. We never go for realism. I think a lot of time when people go for 3D that's the mistake. Because we're never going for full realism - for computer generated live action films like Avatar the goal is realism, to make the audience feel like they are seeing something that is real. Lord of the Rings had character design and environments to make it look real, whereas we aren't going for that, we are going for something that is theatrically, viscerally, and emotionally real.
I feel like people think of me as someone who really believes in a "sex as empowerment" philosophy, like Sasha Grey or something, when actually I feel like I'm much more what a lot of liberal feminists would call "sex negative" than most women I know.
when people go away, or when we leave the places we love, or something we treasure goes out of our life - I have always noticed that before it happens - this leaving, this parting - when we think about it beforehand we are overwhelmed with sadness at the loss to come. ... the most unbearable sense of loss, the worst homesickness of all, so I have found, is this loss and sickness we feel beforehand, before we ever leave home.
We make a contract within ourselves as actors or directors or writers about how much of ourselves we let into projects. You can actually figure out before you work on something how much blood you will have to let emotionally.
But I am a just man, even to my enemy - and I will acknowledge, beforehand, that they are cleverer brains than I thought them
I do think that people get really emotionally involved in the TV shows that they love and I think that is fantastic. Of course they are going to have opinions. The other thing is that people project onto their television shows. They see a character and layer on many traits that are actually their own or their idea of what that character is.
And I think that a lot of people in their 20s go through that thing of, this life that I think that I was about to lead, is that actually nonsense? Is that actually something I want to do?... And so they go traveling, or they have a mad relationship, or they dye their hair or whatever.
We're as clever as we think we are, but we'll be a lot cleverer when we learn to use not just one brain but to pool huge numbers of brains. We're at a level technologically where we can share information and think collectively about our problems. We do it in science all the time - there's no reason why we can't do it in other endeavors.
I have been speculating last night what makes a man a discoverer of undiscovered things; and a most perplexing problem it is. Many men who are very clever - much cleverer than the discoverers - never originate anything.
You can actually improvise a lot as a voice actor. It's not that entirely different than shooting a live action movie; the characters mouths are quite easy to manipulate once all the information is built into the computer. So you can improvise a lot and it doesn't matter really how far along they are in the process they can really just make the character say something different.
I do think people do pick movies that reveal something about them that they aren't always aware of. If you ask them what kind of an actor they think they are, they'll probably tell you something different than what they've actually done.
I can't know entirely what's at stake beforehand; you find out as you go. I love to take a poem, for instance, that starts with something seemingly frivolous or inconsequential and then grows in gravity until by the end it's something very serious.
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