A Quote by Colum McCann
We seldom know what we're hearing when we hear something for the first time, but one thing is certain: we hear it as we will never hear it again. We return to the moment to experience it, I suppose, but we can never really find it, only its memory, the faintest imprint of what really was, what it meant.
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You seldom listen to me, and when you do you don't hear, and when you do hear you hear wrong, and even when you hear right you change it so fast that it's never the same.
...what's always exciting is when you hear something amazing when you least expected it. Every now and then I'll hear something for the first time that forces me to re-examine my frames of reference, and re-consider musical parameters in general, and that's wonderful . And what's even more wonderful in a way, is when you hear something that you know, and already think you have an opinion about, and then suddenly discover that it isn't what you thought it was, but something quite different, which makes it just as surprising as if you'd never heard it before. That's REALLY great!
James says that you deceive yourself if you only hear the Word but do not do it. How many people live in this deception their whole life-hearing and hearing, but never even trying to do what they hear!
I learned to speak first, and then to sign. I have never really known what it was like to hear, so I can't compare hearing aids to normal hearing.
I learned to speak first, and then to sign. I have never really known what it was like to hear, so I cant compare hearing aids to normal hearing.
Directing is genderless. The only thing... I love men. I'm not being mean to them, but they can't hear you. I don't have a husband, and so I'm not really attuned to it, but I didn't know that they could not really hear you. Like, I'm talking, and they just walk away.
I just want people to hear the music the way it's suppose to sound, the way we meant for them to hear it. You sit in the studio all this time and make the music, tweak it, try to get it perfect. They should be able to hear it that way.
It's incredibly important to me that you remember a song right after the first or second time you hear it. That something sticks to you, something that makes you feel, 'I need to hear that song again.' That's fundamental. Something you want again. And again.
If I'm using Nonviolent Communication I never, never, never hear what somebody thinks about me. Never hear what somebody thinks about you, you'll live longer. You'll enjoy life more. Hear the truth. The truth is that when somebody's telling you what's wrong with you, the truth is they have a need that isn't getting met. Hear that they're in pain. Don't hear the analysis.
i realize i will never hear from dena again, and i will never call her. it gives me a chill. it is a strange thing to end a friendship, even if you know it's what you want. it's like a death; all of a sudden your experience of a person become finite.
In 1990 if you heard a song on the radio and you really wanted to hear it again you'd have to buy it on tape or CD. Hearing music doesn't hold that kind of value anymore because anyone can hear it. It's going to become even easier.
If you have a dear one in Heaven your heart yearns to see, do not despair, for you will meet again. The voice you loved to hear, you will hear again. The identity of the one you were near to on Earth remains the same, and instant recognition will be yours as you meet, never to part again. Your beloved one is only lost awhile.
User experience is really the whole totality. Opening the package good example. It's the total experience that matters. And that starts from when you first hear about a product experience is more based upon memory than reality. If your memory of the product is wonderful, you will excuse all sorts of incidental things.
I review albums - really positive reviews - I know I'll never hear again, 'cause I'm just not going to have the time.
Most people don't take some things into consideration. When they hear an album, they hear the artist or they hear the lyric or they hear the melody. But they don't really think about the environment in which it was recorded, which is so important. It's that thing that determines what the album sounds like.
If you listen to Louis Armstrong from 1929, you will never hear anything better than that really, and you will never hear anything more free than that.
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