A Quote by Colum McCann
The job of the writer is to look at where he is now and make some sort of emotional sense of it, not only for that moment but for years to come.
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I do sort of believe that in life all manifestations of evil usually come from an emotional place. They come from some kind of emotional heartbreak or some psychological damage. I'm not a psychologist and that's probably for the best but I am interested in it.
Every writer has to make an emotional journey from artist sitting in attic to being part of a business. The writer of a film is like Tinkerbell. You are only there because people believe in you. The moment they dont, because youre a pain the arse, youve lost.
You really do think about it institutionally; this is your job, and to some extent you benefit from having a job to do at a moment like this. You have things that you have to make happen. And you don't have time for the emotional reaction that might otherwise occur if somebody was just sitting there watching these events unfold and had no responsibilities.
You come to me and it's my job to make you look the best you can look. From an image point of view, would I prefer to dress Jude Law instead of Rolf Harris? Of course. But it's my job to make them both look great.
So briefly do we raise our heads, so quick sink back. For a moment we are lifted by a wave of time, are tossed up into the sunlight of consciousness We cannot see so far as where this wave began, but maybe we have waited some thousand years for it to come, and now it is on us. This is our moment, the wave is breaking. The crest which passes through us now in tumult was shaped by the past, and we in this moment are able to shape the crest which is to come.
I don't know if it'll happen four years from now or 52 years from now, but our job is to make an Olympic gold medal happen at some point for the history of the U.S. program.
It was only after two years' work that it occurred to me that I was a writer. I had no particular expectation that the novel would ever be published, because it was sort of a mess. It was only when I found myself writing things I didn't realise I knew that I said, 'I'm a writer now.' The novel had become an incentive to deeper thinking. That's really what writing is—an intense form of thought.
Look what you've already come through! Don't deny it. You've already come through some things, which are very painful. If you've been alive until you're 35, you have gone through some pain. It cost you something. And you've come through it. So at least look at that. And have a sense to look at yourself and say, "Well, wait a minute. I'm stronger than I thought I was."
I figure you're only here for a matter of moments. Ever since I was a kid watching movies I've always wanted to make people laugh or have some sort of emotional reaction.
In China, because Chinese is a tonal language, it can be kind of hard to follow people's emotional tracks. There was one moment where a woman I was interviewing just sort of burst into tears, and I can usually sort of tell when things are coming on, and in that moment, it was very unexpected.
We will never play for a draw, as it doesn't make sense. Come on, you make a 0-0 plan, you get one goal after five minutes, and it's finished. The players look and say, 'Now what?'
Peace ca n exist only in the present moment. It is rid iculous to say "Wait until I fi nish this, then I will be free to live in peace." What is "this" ? A diploma, a job, a house, the payment of a debt? If yo u th ink that way, peace wi ll never come. There is always another "th is" that wi ll fo llow the present one. If you are not living in peace at this moment, you will never be able to . If you truly wa nt to be at peace, you must be at peace right now. Otherwise, there is only "the hope of peace some day.
It is only a moment here and a moment there that the greatest writer has. Some cognizance of the fact must be taken in your teaching.
I offer gentle understanding to myself. I position myself in love, not fear. I look behind me with forgiveness. I look forward with festive anticipation. I embrace this holy moment and assert, "Now. This moment is the moment to love, the moment to serve, the moment to seize the legacy instead of the small. Now. Now I will live large, love boldly, reach to the edges of my unfurled heart and fully enrolled hope."
The only thing that makes me interesting as a writer is that I'm just talking common sense. The most ordinary, everyday sort of common sense.
I suppose everyone continues to be interested in the quest for the self, but what you feel when you're older, I think, is that ... you really must make the self. It is absolutely useless to look for it, you won't find it, but it's possible in some sense to make it. I don't mean in the sense of making a mask, a Yeatsian mask. But you finally begin in some sense to make and choose the self you want.
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