A Quote by Columbus Short

With films, you completely immerse yourself in a character, get into who they are, live it and then release it. — © Columbus Short
With films, you completely immerse yourself in a character, get into who they are, live it and then release it.
When you have fun doing something, you should immerse yourself in it completely.
Any time you can completely immerse yourself in something it's fun.
Everything was just so spot on and character-building for me in terms of creating Celia [Bryant]. The ability to get to wear all these vintage pieces and immerse yourself in that world and get to wear all these amazing hats. And the shoes!
Express yourself completely, then keep quiet. Be like the forces of nature: when it blows, there is only wind; when it rains, there is only rain; when the clouds pass, the sun shines through. If you open yourself to the Tao, you are at one with the Tao and you can embody it completely. If you open yourself to insight, you are at one with insight and you can use it completely. If you open yourself to loss, you are at one with loss and you can accept it completely. Open yourself to the Tao, then trust your natural responses; and everything will fall into place.
It's easy to get a theatrical release that shows in one theater for a week. But there's no advertising, and no one sees the movie. It's hard to get a real theatrical release. The distribution of independent films is, to me, extraordinarily frustrating.
If you're going to immerse yourself in a project for three years, why not stake out a chunk of the world that is completely alien to you and go traveling?
I immerse myself right into my character whether or not I'm relating to people live as an actor on stage or whatever.
It's fun to get away from myself for a while when I take on these roles that have very different personalities from my own. I get to say things I normally wouldn't say or act in ways I normally wouldn't act. After all, such roles are more challenging because you really have to immerse yourself in the character.
Times are completely different now. If you're a brand new artist with a record you want to release to the masses, I would suggest you try and get it hot yourself first. This way you can create your own demand so you'll end up having the option of demanding what you want if you do decide to sign with a label. If you don't and you still get on hot on your own, you then have the ability to reap all of your profits.
Caretake this moment. Immerse yourself in its particulars. Respond to this person, this challenge, this deed. Quit evasions. Stop giving yourself needless trouble. It is time to really live; to fully inhabit the situation you happen to be in now.
In moments of uncertainty, when you must chose between two paths, allowing yourself to be overcome by either the fear of failure or the dimly lit light of possibility, immerse yourself in the life you would be most proud to live.
The weirdest time is when I'm having to explain myself all day to journalists, and then I don't perform, so there's no release, just a lot of self-consciousness. Then what do you do with that at the end of the day? How do you release your brain from talking about yourself all day?
Gather knowledge about the craft of writing. Immerse yourself in the art of it. Then write. Write yourself silly. Write yourself mad. Write yourself blind. Trust the excitement that builds within you when the idea is good and the writing is superb. You can do it, but that's the hell of it as well as the exultation of it. You have to do it.
The live experience and the recorded experience are totally different. When you're recording an album, you won't be able to immerse people in sound. When you play live, you want to grab people on the visceral level. They're completely different.
Have the courage to be exactly who you are without apology. Admit your mistakes without beating yourself up. Release all shame! Release all guilt! You cannot live if you are hiding behind what was. Focus on what is, right now, and that is you!
See, the first thing about actors is, you're just trying to get a job; and you audition and audition and you finally get them. And you still consider yourself an auditioning actor. I auditioned for One Fine Day, I wasn't offered that. So you're still in that 'Hey, I'm just trying to get a job' thing. Then, you get to the point where, if you decide to do it, then they'll make the film. That's a different kind of responsibility, and it usually takes a couple of films to catch up. And then you have to actually pay attention to the kind of films that you're making.
This site uses cookies to ensure you get the best experience. More info...
Got it!